More on: Martha Serpas

Becoming involved in a poem, allowing the lines to unfold, not knowing if there’s going to be a surprise, a turn, or deepening—this is very similar to being with a patient or family as a chaplain when I don’t have all the answers. Part of my job is to sit with them in uncertainty. It’s a big white space.

Because we die, we all die, and the oak lives, 
those imagined rings like so many glasses 

Why Believe in God? Over the past few years, the Image staff contemplated assembling a symposium based on this simple problem. But we hesitated. Should we pose such a disarmingly straightforward question to artists and writers, who tend to shun the explicit and the rational? Or were we hesitating because the question itself made us…

Sudden summer rain, warm on your back _____like asperges slashes, more of a blessing than anything to get dolloped in the eye and laugh away _____the shame of believing in any kind of redemptive wash to get to the glass door before the stroup of sky _____spills, to be the chaplain carrying in the far…

It is hard to be misunderstood. And how many of us get vindication after a century or so? I mistook the little bloodsucker for a wad of gauze as it whirled from the sailor’s spliced thumb. It became an iridescent helix, a liquid amber’s leaf dangling through a day-long spring and fall and spring, Have…

The Word-Soaked World Troubling the Lexicon of Art and Faith Since 1989, Image has hosted a conversation at the nexus of art and faith among writers and artists in all forms. As the conversation has evolved, certain words have cropped up again and again: Beauty. Mystery. Presence. For this issue, we invited a handful of…