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Imagination vs. Fancy

By Gregory Wolfe Essay

IN past editorial statements, we have pointed out the resurgence of religious ideas and experiences in contemporary art and literature. We have argued that this phenomenon is part of an important cultural shift. Moreover, we have celebrated this movement as a hopeful sign, one of the primary justifications for the existence of Image. But many…

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Web Exclusive: A Conversation with Nicholas Samaras

By Mary Kenagy Mitchell Interview

The summer issue of Image includes four poems by Nicholas Samaras, one of which was influenced by Michael Sitaras’ conceptual art project, Sacred Air. All poems are part of his work on a book of poems in response to the biblical Psalms. We asked Nicholas how these poems began.   Image: You’ve been working on…

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Acquainted with the Night: The Art of Jerzy Nowosielski

By Artur Rosman Essay

I have stood still and stopped the sound of feet When far away an interrupted cry Came over houses from another street, But not to call me back or say good-bye; And further still at an unearthly height, A luminary clock against the sky Proclaimed the time was neither wrong nor right. I have been…

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Lent: Deformed Pussy Willow

By Anya Silver Poetry

————–Not the branches we cut each ————–windy March to hang with eggs ————–dyed red. Not those ————–we bless with palms ————–& smoke. These arced ————–spines & split limbs bud ————–through straining bark. Backs ————–humped & bent, bound. Does ————–God suffer these husked ————–velvet knobs? Stunted, ————–a wreath of tumors. ————–Yes, he does. Gather them ————–for…

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Web Exclusive: A Conversation with Scott Cairns

By Mary Kenagy Mitchell Interview

The current issue of Image features three new poems by Scott Cairns. The author of numerous volumes of poetry, a convert to Orthodox Christianity, and a longtime contributor to Image, Scott has often advocated what he calls a “sacramental poetics”—the idea that a poem should not so much describe something as dosomething.   Image: Your poems use an exacting, prophetic voice, but…

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