Not green as new weeds or crushed juniper,
but a toxic and unearthly green, meet
for inking angel wings, made from copper sheets
treated with vapors of wine or vinegar,
left to oxidize for the calligrapher.
When it’s done, he’ll cover calfskin with a fleet
of knotted beasts in caustic green that eats
the page and grieves the paleographer.
There’s copper in my brain, my heart of hearts;
in my blood, an essential mineral.
Too much is poison. Too much air imparts
sickness to the script—once begun, eternal,
its words forever grass in drought. Nor departs
my grief, green and corrosive as a gospel.
The Image archive is supported in part by an award from the National Endowment for the Arts.