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Over the Rhine – The Trumpet Child
Included on Paste Magazine’s list of the 100 Best Living Songwriters, Over the Rhine’s Karin Bergquist and Linford Detweiler have courted an ever-increasing list of admirers. With the recent release of their seventeenth album, The Trumpet Child, the band’s popularity seems primed for a sizeable increase. Filled with confidence and joy, the album takes an exuberant—though not necessarily light-hearted—romp through themes of the heart. Detweiler comments: “On this project, I think we returned to the quintessential stuff that’s always interested us in our writing: spirituality, sexuality, living vividly, challenging the status quo and subtly taking power away from those who have too much and transferring it to people who have too little.” Filled with lush soundscapes, brass and woodwind ensembles, and jazzy vocals, The Trumpet Child feels like a homecoming. Wiser for the miles, the album opens with “I Don’t Want to Waste Your Time,” a love song of sorts to the listener: “I’ve got a different scar for every song / And blood left still to bleed / But I don’t wanna waste your time / With music you don’t need.” The remainder of the lyrically-charged album is anything but a waste of time. Both forthcoming and elusive, the songs range from the personal (“Trouble”) to the flamboyant (“I’m on a Roll”). In the prophetic title track, Bergquist sings, “The trumpet child will lift a glass / His bride now leaning in at last / His final aim to fill with joy / The earth that man all but destroyed.” The band is not without a sense of humor, however, and closes the album with the tongue-in-cheek political take, “If a Song Could Be President,” and a spot-on growling ode to Tom Waits, “Don’t Wait for Tom.” Releasing The Trumpet Child on their own label, Great Speckled Dog, Over the Rhine collaborated with Nashville producer, Brad Jones (Matthew Sweet, Josh Rouse, and Ron Sexsmith). And though the album succeeds in bringing it all back home, the journey must begin again. Over the Rhine kicks off the first leg of their world tour September 13th and 14th, playing to sold out crowds in Seattle, Washington. And in October this year, Over the Rhine will re-release its Christmas album, Snow Angels.
For more on Over the Rhine, visit their official website.
The Maytrees by Annie Dillard
Reading Annie Dillard’s second novel, The Maytrees, is like taking a stroll through the dunes of Cape Cod, shoeless and pensive, the sea “a monster with lace hem” beside you, and then happening upon a weathered stone or a gleaming pearl in the sand, nudging it with your foot, and sifting the salty grains through your toes as you unbury the unseen. The Maytrees moves at this same careful pace. Dillard’s practiced eye observes the love of two protagonists, Maytree and Lou, unfolding and refolding it thought by thought, again and again. Although The Maytrees explores themes of grace, aging, and nature, it is best characterized as an unabashed love story: two New Englanders marry and find themselves forever wondering what love is. Dillard, undaunted by the long line of love stories that have scoured the genre of its obvious metaphors, writes like a patient beachcomber bent on discovering her own unique treasure in the sand. With her characteristic sense of humor, Dillard encounters the mystery of love with a handful of surprising and poetic images, from Aztec priests to sinking ships. And her characters explicitly ponder the strange paradox of love, the ridiculous notion that we care “wildly, then deeply, for one person out of billions,” that we bind “ourselves to the fickle, changing, and dying as if they were rock.” But ultimately, as Toby Maytree struggles to realize, “reason never trafficked in a man’s love life,” and it is “only in the face of the other” that we each find home.
Click here to buy the book.
The Soft Edge of Reason: Paintings by Kimberly Alexander
Kimberly Alexander explores the malleable edges between scientific knowledge and artistic expression in her new exhibition, “The Soft Edge of Reason,” on display at Studio 832 in Dallas, Texas, September 21 – October 20, 2007. Her vibrant, arresting canvases make use of structured scientific narratives—periodic tables, molecular formations, botanical illustrations, and more—to explore “the quiet, academic scandal that science, as an expression of humanity, is inextricable from the irrational aspects of our nature.” That is to say, at least in part, that even science is fodder for creativity. “The Soft Edge of Reason” includes a series of paintings called “The Periodic Table,” each inspired by a different element. Another series, “Young Immigrants,” uses botanical illustrations in paintings that explore issues surrounding teenage immigration with palpable tenderness and immediacy. A visual artist with a background in ideas (she has a masters in philosophy, literature, and art history), Alexander maintains a delicate balance between the lofty and the concrete. Her combination of scientific narrative with ideas lends a dose of mystery and metaphor to science, and a dose of concreteness and physicality to ideas. She presents the viewer with worlds that are at once welcoming and undeniably strange, quietly surreal but never hellish. Belonging somewhere on the border of the rational and the creative mind, her paintings are playful takes on the conventional language of science, suggesting that even this seemingly stripped-down discourse has its “inherent poetry” and, when encountered by human subjects, “borders on beauty, tragedy, comedy, and catharsis.” Kimberly Alexander is the co-director of the Trinity Arts Conference and has written about art for various publications, including Image—her essay, “Compilations: The Art of Lance Letscher” can be found in Image #44.
“The Soft Edge of Reason” will kick off September 22 with an artist’s reception at 6:00 p.m. Studio 832 is located at 832 Exposition Avenue in Dallas, Texas. For more information click here or call (214) 827-0605.
Peculiar Pilgrims
Linda Wendling, editor
Former Milton fellow in fiction Linda Wendling recently edited a new anthology from Hourglass Books, an independent press that publishes anthologies of short stories on themes like “fathers and daughters” or “the world of work,” drawing from top literary magazines and recent prize winners. This offering, Peculiar Pilgrims: Stories from the Left Hand of God, explores themes of grace, reconciliation, and the search for transcendence as they appear in the broad, eddying stream of contemporary fiction. The twenty-six stories here are not the fiction of predictable inspiration or instant uplift, though the collection is shot through with moments of hope and transcendence. Instead, these beautifully written stories make our yearning to believe seem newly strange—the way it ought to. The God from whose hand these stories come is mysterious, formidable, elusive, compelling. Writes Image editor Gregory Wolfe in the anthology’s introduction: “In a number of religious traditions, God actually demonstrates a marked preference for those on his left side. Because it is precisely there that we can come to the realization that there are no sides, only one screwed-up, yearning human family. In the stories that follow, that place of reversal and recognition is the first step on the pilgrim’s path.” The collection includes several Image favorites like Melanie Rae Thon and Erin McGraw, as well as the hard-to-find work of our managing editor, Mary Kenagy.
Order it here.
Image is Coming to Canada. Mark Your Calendars!
This fall Image editor Gregory Wolfe will be traveling to four Canadian cities—Toronto, Vancouver, Calgary, and Winnipeg—to spread the word about the journal and to strengthen ties with Canadian artists, writers, and those who are working for cultural transformation. In Winnipeg on October 25, Image will host a special evening at the Mennonite Heritage Centre Gallery where Gregory Wolfe will give a talk on the power of beauty to nourish our common life, communicate faith, and renew our culture. Wolfe will also be giving a presentation in Calgary (date to be announced). In Vancouver and Toronto Wolfe will be appearing at two special book launch events that Image is co-sponsoring. These events, featuring Kathleen Norris as keynote speaker, will celebrate the publication of God With Us: Rediscovering the Meaning of Christmas, a beautifully illustrated collection of daily meditations for the seasons of Advent, Christmas, and Epiphany, written by Norris, Luci Shaw, Eugene Peterson, Scott Cairns and others. Image will co-sponsor the book launch events, held in Toronto on November 13 and Vancouver on November 14. We are grateful to several Canadian donors for making these appearances possible and are looking forward to getting more Canadian readers—and more Canadian contributors to our pages.
For information about Gregory Wolfe’s appearances in Calgary and Winnipeg, contact Julie Mullins at (206) 281-2988 or jmullins@imagejournal.org.
For details of the God With Us book launch events in Vancouver and Toronto, call 778-995-9424 or e-mail greg.pennoyer@incarnation.ca.
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