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Announcing
The Glen Workshop
"Bringing Home the Work: The Artist and the Community"
August 3-10, 2003
Image's
annual Glen Workshop is an innovative and enriching program combining
the best elements of a workshop, an arts festival, and a conference. Add
to this the intimate setting at St. John's College and the rich cultural,
spiritual, and natural resources of northern New Mexico and the result
is an unforgettable experience. This year's theme-"Bringing Home
the Work: The Artist and the Community"-will provide a focal point
for reflection over the course of the week. Daily classes will be taught
by nationally known authors and artists, and will be small enough to allow
the faculty to give close attention to each participant-to beginners as
well as those advanced in their craft. The Glen also offers a retreat
option for those who wish to join us for meals, readings, and worship,
but prefer to spend mornings working, exploring the area, or in contemplation,
instead of attending a workshop. Each participant selects either a workshop
or the retreat option. Workshops are held concurrently each morning. Afternoons
and evenings feature readings, lectures, and concerts. Each day will conclude
with a worship service incorporating the arts. Free time (including a
full free day) will offer all participants opportunities for conversation,
hiking, visiting the many museums and sights in and around Santa Fe, and
exploring the stunning scenery around the St. John's campus. Here in the
foothills of the Sangre de Cristo Mountains, you will encounter a stimulating
and inspiring environment saturated with the spirituality of Hispanic
and Native American cultures.
In current issues
of ImageUpdate we are presenting short features on individual workshops/faculty
and other aspects of the Glen - stay tuned!
NOTE: Please be aware
that certain workshops will fill rather quickly. We're not just using
marketing language when we urge you to register early!!!
For more information, workshop descriptions, and to register online, visit
the Glen page on the Image
website.
Surely
as Birds Fly
H.L Hix
H.L. Hix has been lauded for his previous books Perfect Hell and
Rational Numbers; and the praise is unlikely to end soon for this
T.S. Eliot Award winner. Hix's new book Surely as Birds Fly is
composed of three sections. The first, "A Study of Thermodynamics,"
is a narrative dirge for every part of the body. The stories in these
poems are often shockingly carnal, at times brutally violent. The second
section, "Thistle, Clover, Rape" finds Hix stretching his lines.
This central section allows the reader some breathing room, through distance,
in both form and content. Hix won't let the distance created release his
speakers from the frightening reality they exist in, "Suffering passes
from hand to hand and kiss to kiss," he remarks in "Riga."
The final section, one long poem, is titled "A Manual for Happiness."
In this concluding piece, Hix's vision amalgamates into unlikely revelations.
In the terror of the book's earlier stages, redemption seemed nearly impossible.
In the rare moments God might have previously entered, He could be located
only in his absence. In "A Manual for Happiness," however, God
and heaven are found intact and present, in the often painful present
of Surely as Birds Fly. Hix has conjured amazing grace in his third
book. These poems forgive, just as they refuse to forget.
Visit the publisher's
website for more.
Arvo
Pärt
Classical composer Arvo Pärt, featured in Image #2, is back
in the spotlight. Though Pärt's popularity has steadily increased
ever since his 1976 work, Tabula Rasa, the recent release of new
material (Orient and Occident, ECM 2002) and a feature in The
New Yorker have served to enhance the general public's awareness of
his wondrous and haunting music. Born in 1935 in Estonia, Pärt grew
up playing a piano that was missing a middle register and was thus confined
to creation at the extremes of both high and low. After studying music
at Estonia's national conservatory, he worked his way through a vast array
of forms until, in 1976, settling into an understated style-now called
tintinnabuli, from the Latin word for bell. Inspired by the polyphonic
composers of the Renaissance, tintinnabuli "involves the interweaving
of two voices, one of which moves by melodic steps while the other rotates
through the pitches of a major or minor chord" (Alex Ross, The
New Yorker). Subsequent works-Arbos, Miserere, Te Deum, Litany,
I Am the True Vine-continued using this signature style and were imbued
with a deep sense of Pärt's Russian Orthodox faith. Critics have
often categorized him as a minimalist, a term he understands but dislikes,
yet in recent times (Kanon Pokajanen, 1998, and his latest release,
Orient & Occident, 2002) a shifting towards expansive, more
luxurious instrumentation is apparent. When Alex Ross, interviewing him
for The New Yorker, mentioned this in regards to Orient &
Occident, Pärt smiled and said, "Yes, I got a little crazy,
didn't I?"
Try this site for
a comprehensive look at Arvo Pärt
and his music.
Free
Bird
Greg Garrett
When you name your first novel after the most well-known song of one
of the most road-bound rock and roll groups in history, you've got some
big shoes to fill. In Free Bird, Greg Garrett has set his character
on a course of epic travels. Clay Forester travels from wealth, family
and the esteem of his colleagues to despair, poverty, and loneliness.
He is also compelled to travel across the country. This journey is both
physical and psychological for the character as his road trip from North
Carolina to New Mexico requires him to leave the crumbled life he's known
in search of a more whole picture of the father he never knew. Forester's
travels are populated by copious adventures with the unlikely characters
that abound on American highways. Garrett's love for music also shines
through in this novel. Countless anecdotes and memories are brought on
by song. Garrett has crafted an essentially American tale about loss,
second chances, family, and the road.
More
from the publishers...
Re:generation
Quarterly Forums
Re:generation
Quarterly is a thoughtful magazine founded in 1995 by a group of former
InterVarsity types from Harvard. So you know they're smart and intense
and a little bit obsessive about thinking through things like the social
and cultural implications of Herodotus, Beck, tooth whiteners, and Sonic
the Hedgehog. Serious people. And used to the public intellectual square.
The Harvard/IV background comes through in the magazine, which deals substantively
with current events as well as timeless questions, social justice, movies,
local activism, game theory, sculpture, whatever. And RQ lives out its
community-oriented ideals by sponsoring projects that create connections
among its readers.
One such project
is the RQ Forums, discussion groups of diverse, smart, interesting young
people who meet in living rooms and coffee shops around the country to
discuss topics related to Christianity and contemporary culture-including
books, movies, and current events-all springboarding from the pages of
RQ. Recent Forum topics include class conflict, 9/11, sexuality, evangelism,
as well as a slew of local issues. The magazine is oriented toward young
Christians, but all ages and perspectives are emphatically welcome. Visit
the RQ site
to look for a forum near you.
As well as the RQ Forums, the same organization also runs an annual retreat
for young Christian leaders, the Vine. See their official
website for more.
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