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Artist of the Month: Daniel Tobin
When a poem called "Homage to Bosch" by Daniel Tobin arrived at the Image editorial offices ten years ago, we instantly knew that we were in the presence of a major talent. (We're happy to say that it became the lead poem in Tobin's collection, Double Life, from LSU Press.) "Homage" took on one of the most enigmatic masterpieces of Western art: Bosch's The Garden of Earthly Delights, that teeming, anarchic canvas, in which the saved and damned enact dozens of allegories and fables. Tobin's response to such a chaotic and baffling work is measured and revelatory. A typical stanza: "The sufferings of the damned and the saved, how alike they are- / as if the Almighty sharpened his blade for all equally / and the arms extended in universal blessing / were only the austere gesture of some bitter judgment." Whether he is tackling a large-scale subject, like Bosch or St. Bartolomé de los Casas (the saint known as the "Protector of the Indians"), or penning a lyric, Tobin knows how to mix gravity with levity, the downward pressure of sin and suffering with the unbearable lightness of grace. One minute he's quoting Simone Weil, the next he's uttering a "Brief Elegy for a Subdivision." Well, perhaps it's no coincidence that he should see in Bosch a kindred spirit. Daniel Tobin's poems are earthly delights, indeed.
Go to our Artist of the Month page on Daniel Tobin.
Suzanne M. Wolfe's Novel Given Christianity Today Award

Image executive editor Suzanne Wolfe's novel, Unveiling, has been singled out for an Award of Merit by Christianity Today (CT). In the fiction category, the top award went to Gilead, by Marilynne Robinson, which also won the Pulitzer Prize. Here's how CT describes the criteria for their book awards: "This year we received 327 nominated titles from 52 publishers. CT staff selected the top five books in each category, and then panels of judges (one panel for each category) determined the winners. In the end, we honor 23 titles that bring understanding to people, events, and ideas that shape evangelical life, thought, and mission. We also include our judges' comments on the winners." Unveiling has just been issued in paperback, and in a Dutch edition. The hardcover is available through the Image Store. Congratulations, Suzanne!
Read all of CT's 2005 Book Awards online.
Order your copy of Unveiling now from the Image Store.
The Crime of Living Cautiously
Luci Shaw 
Upon reading the title, you'd be justified in thinking: What's wrong with exercising a sensible dose of caution? But in her latest book, The Crime of Living Cautiously, renowned poet and friend of Image Luci Shaw suggests that cautiousness is often a disguise for boredom and timidity. With Jesus' parable of the talents under her belt, she dares to call Christian tameness criminal. Contrasting cautiousness with adventure, she draws from the repository of biblical risk-takers who changed the course of history by giving up security in order to achieve something extraordinary. God calls us to adventure, she says, and as one can glean from her poetry, Shaw is experienced with both risk and its necessary complement: faith-a catalyst for risk-taking to Shaw's way of thinking. Pushing the limits and expanding the imagination are not only her life's work as an artist; they also define her life of faith. One gets the sense that Luci Shaw is never bored in her Christian experience. Renowned poet, lecturer, active Episcopalian, and grandmother, there's little about her that could be called tame. Her book is mostly personal, conversational-she's candid in sharing moments of self-doubt and fear as well as of inspiration and faith. Each chapter includes questions for reflection and discussion, launching it into the category of Christian inspiration that serves well for personal or group study. The real gem of The Crime of Living Cautiously, though, is its glimpse into the inner workings of the poet's mind. She says that good art is created "when beauty and risk interact," revealing that the creative process of writing has been just as much of a risk for her every day as the bungee jumping episode she describes in the first chapter. As with that literal leap of faith, fulfilling the various callings in our lives demands trust, sets off a bit of an adrenaline rush, and eventually proves that the payoff is well worth the risk.
Just released, The Crime of Living Cautiously: God's Call to Adventure is published by InterVarsity Press and can be found at www.ivpress.com.
Peter La Grand: Falling Down in Place
Peter La Grand was born in Halifax, Nova Scotia, and spent much of his early youth relocating as his family moved from place to place. He learned to play the guitar in high school and started turning out his own songs. At the age of twenty, La Grand bought a van and became itinerate once again, lighting out across America and performing wherever he could. He spent the next years playing with a hodgepodge of bands, including David Wilcox, and one year playing Dobro for Bunkbed Nights. After years of songwriting, La Grand has recently laid down ten tracks for his debut album, Falling Down in Place. Recorded with the intimacy of a conversation, the songs detail the lives of people who long for escape. The album begins with "When the Colors Die," a song filled with imagery of endings that mirrors the narrator's reminiscences of lost love. In perhaps the album's most beautiful song, "Proposition," the narrator's yearning transcends the nearly whispered delivery to achieve a palpable ache. Voicing one of the album's central themes, the song concludes: ".so tonight let's escape / we'll sneak out-you lead the way," a theme that is taken further on the album's title track, "Falling Down in Place": "Whether or not you can escape, you cannot afford to stay." The desire for escape, however, falls short of creating one. In La Grand's final song, "In Memoriam," all attempts at flight end in a state of disarray. Left without resolution, the characters have by no means escaped. Trapped, and frustrated by their impotent attempts to extricate themselves, they have completed their slow, paralyzing falling down in place. Whether their final position is that of permanent desolation or of resurrection is not known. The album itself is concerned only with honesty in the vein of an old blues song: in the face of despair, with only a vague hope for reversal, it portrays life simply as it is. Filled with the muted sounds of accordion, violin, bass, and percussion, La Grand has crafted a debut that evokes a night spent pacing in the woods. Haunting and dark, with only obscured light from above for guidance, the songs cohere into a work that dwells in the sorrow that so often marks our lives. Currently based in Vancouver, B.C., La Grand will spend the next year playing concerts throughout the Pacific Northwest and British Columbia in support of the album.
Visit Peter La Grand online: www.peterlagrand.com.
The Big Love by Sarah Dunn
We are sometimes struck by the desire to read chick lit. It usually happens around Memorial Day weekend when there is nothing better to do. But often, as with those fake candy orange slices you can buy at gas stations, a chick lit novel is not as gratifying as it seemed in your imagination once you're actually reading it. Which is why we're so happy to find a book like Sarah Dunn's The Big Love, a chick lit novel we never once wanted to fling into the path of the neighbor's lawnmower. The book obeys the basic genre conventions: there are dinner parties, coworkers who theorize entertainingly about penises, and a likeably flawed and somewhat self-absorbed heroine who starts out by being dumped by The Bad Boyfriend and is thus launched on her quest. But here's the twist: she's an ex-evangelical Christian. And she likes to talk about it. She's astute about the psychology of sex within the subculture, especially the weird limbo experience of post-college singleness, and deliciously, hilariously bitter about the church dating scene. On the other hand, though she's left the church behind, her relationship with it is still complicated and sort of affectionate ("I don't like to be in the business of blaming the church for things that have gone wrong in my life. ... My feeling is that the rest of the world is happy bashing evangelical Christians and there is no need for me to pile on"). And she admits near the end of the novel that she feels like she's on the run from God. Her heart is restless, she says, but she can't seem to go back. "Not just yet," she says. Since the Augustinian thread isn't picked up again, and since (warning: spoiler ahead) the requisite guy-problem also ends on an ambiguous note, one wonders if this might be the first book in a series. We hope so, because Dunn's novel reads less like fake candy orange slices and more like...an orange.
For more, click here.
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