By Joel Hartse
My latest musical obsession is Christian rock from the 1960s and 70s, a time before there was such a thing called Christian rock, and particularly attempts to re-interpret liturgical music in pop and rock forms. It is mostly bad, or at least weird, and while some of it is good, it has led to me one conclusion:
Catholics do not rock.
I’m not trying to be a jerk. I think Catholics do a lot of things really well—sacraments, for example. Plus, I could tell you “some of my best friends are Catholics” and it would be true—I went to a Jesuit high school, and my first real adult job after college was fundraising for a Catholic charity. So while I’m not one, I have all the respect in the world for Catholics.
It’s just that they don’t know how to rock. I mean, I think individual Catholics can rock—I have heard Bruce Springsteen and the Hold Steady—but “contemporary” music in the guitar-bass-drums sense does not seem to be able to cozy up to Catholic worship the way it does to, say, that of the Evangelical congregations I’ve attended.
The few “contemporary” Catholic services I have been to have tended to feature a man with a beard or a woman with a short, severe haircut playing an acoustic guitar, usually worn at an absurdly high and un-hip position on the torso so that he or she is almost peering over it, and maybe, just maybe, some drums.
I remember a particularly valiant attempt to contemporarify one of the unpopular all-school required masses at my high school, one of the ones in the gym. The priests had recruited one of the kids who was in the percussion section with me in second period band. They had him playing drums during those just terminally, terminally un-rockable sung sections of the liturgy: “Christ has died, Christ is risen, Christ will come again,” and then a few minutes later to the same tune “a-amen, a-amen, a-a-a-amen.” He filled his post admirably, gently padding at the drums, using brushes (sticks would have been a bit much, I suppose) with no emotion whatsoever, starting straight ahead, stoically—which is exactly the right attitude for a drummer who has been tapped to play music that doesn’t need or want drums.
If you have been to a more rocking Mass, feel free to disagree.
The latest example of Catholic non-rock, one that has actually made some kind of waves in pop culture this year, is a video from 1983 that you have probably seen—“Jesus is My Friend” by Sonseed, a Catholic rock band (I love being able to write those three words in a row) that was active in New York in the 1980s.
This video is officially the corniest thing ever created in the history of the universe: the ska rhythms, the matching outfits, the lyrics (simile: Jesus is like a Mountie, because he always gets his man), are almost too much to bear. It’s “contemporary,” but Sonseed absolutely does not rock.
The great thing about this song, however, is the way it sidesteps irony—this music isn’t so-bad-it’s-good, it’s more like so-unconcerned-with-cool-rock-posturing-it’s-good. It may even be actually good. “Jesus is My Friend” is played with utter sincerity, and an apparent lack of snark that is unheard of today, especially among youngish Christians like me and my friends who are forwarding it to everybody we know. When they sing “he taught me how to praise my God and still play rock and roll,” our first instinct is a snicker—“don’t they know that they are not rocking? Haw haw haw.”
But frankly, in 1983, Sonseed were playing (or lip-synching) their hearts out (especially that wonderful bald guitar player and his tennis shoes), making original music that, while cheesy as all get-out, was unique and weird and interesting. What are we doing in 2009? Writing ironic blog entries about them.
We lose.
Sonseed is an antidote to the Christian rock of now, but also to the Christian coolness of now, a time when relevance, whatever it may mean (beer, post-punk music, animal-friendly shoes) has taken such a primary role. Which is why, perhaps, we need them—and why “rocking” is a secondary concern when you believe in what you’re doing.
Sonseed isn’t cool and doesn’t rock, but frankly, Christianity isn’t cool and doesn’t rock. I’m sure the members of Sonseed are embarrassed by that video, but I’m also sure that a lot of people will buy the reissue of their album which is (really) coming out later this year, and maybe that 25 years later, a new generation of Catholics (and non-Catholics) will embrace the joy of not rocking for the Lord.









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I don't see the problem with having one kind of music for dancing, another for worship, another for storing our memories and sharing our inspiration. Does that make me philosophically inconsistent?
I liked this:
"The great thing about this song, however, is the way it sidesteps irony—this music isn’t so-bad-it’s-good, it’s more like so-unconcerned-with-cool-rock-posturing-it’s-good."
There isn't a single Catholic identity, to the extent that there is a relatively uniform Evangelical culture. Catholics have Mexicans, Brazilians, Kenyans, Polacks, Italians, English - all with slightly different cultures.
This is one reason why quite a handful of Catholics resent the crew-cropped lady with her guitar on her torso. She represents the imposition of identity, not its expression. And no one would voluntarily buy a CD of her music.
Well, OK, it still makes me snort -- but more thoughtfully, now.
Lately I've been a little nauseated by the "coolness" obsession of several different faith writers/groups. The promise we are being fed over and over again - through goatees, and dreds, and in coffee shop worship venues -- is this... "If we do Christianity cool enough.. the world will love us." That sells books. Nobody wants to be the bald guy in the white tennies.
But beneath that, something else is coming to a head. At some point, a rub is inevitable... because Jesus has told us that Christianity will ultimately go against the energy of the world. The road will divide somehow, if we are faithful, and most people won't like us. Even if we wear Toms.
Are we ready for that?
Undercover's later stuff went very dark, reflecting some of the relational issues the members (Ojo, mostly, I think) were grappling with. I have tremendous respect for that kind of artistic integrity.
I remember the posters at my youth group that lined up secular groups with Christian groups (i.e. "If you like Pearl Jam you'll like Petra...or Stavesacre"), that sort of thing. Maybe the lack of Catholic rocking has to do with the lack of a need to create an alternate pop culture substitute.
To be confounded by the depths of the weirdness that is evangelical rock, click the link above.
First let me say that a) I think Five Iron Frenzy is genuinely one of the best Christian rock bands of the last 20 years, and b) When I saw what the link above was I immediately closed the window, because it was the Insyderz, who were such a distant, distant third (of three) in the Great Christian Ska Wars of the late 1990s, and they were playing "Awesome God' which, well, I love Rich Mullins -- but it's not his finest work.
My favorite ever comparison was: if you like Nine Inch Nails, you'll like Code of Ethics. Wow.
Brent, very well said all around. I dig what you're saying about Springsteen (or anybody) not wanting to be pinned down by "that type of specific aim," i.e., making "Christian rock" or even "Catholic rock." I'm not necessarily saying that this is how we should read him. I think I failed to make a distinction between rock (I am starting to feel claustrophobic about using this word) worship and regular old rock music made with "faith-based" sensibilities, although the line blurs, because I kind of think most music is worship.
I suppose one reason there has never been an overtly Catholic rock "scene" the way there has been an Evangelical one is that you don't have to try as hard when you've been a Church for a gazillion years. The denomination I grew up in hasn't been around for a decade, and was founded by a lady who tried to get people interested with flash and pizazz.
I need a new word that isn't "rock" or "pop" or "contemporary" to describe this music.
I think the mountie line gets at that somewhat. I mean - "he'll zap you any way he can? really?"
Confession: last time I listened to christian rock, I was listening to this stuff:
http://www.youtube.com/watch?v=sQTyjatRw5Q&feature=related
and convey whatever you aim to convey… ever hear “God Knows” by Bob Dylan? I’m old enough to remember seeing Petra at Taylor University in the mid-seventies—before they completely schlocked out. In my humble O, they blew the proverbial roof off the proverbial dump. I saw them more than a decade later after they were THE Christian rock band and I felt… totally embarrassed by the contrivance, but then again I’m not big on the whole CCM scene. Never wanted to go back for more, that’s for sure.
I imagine there to be a pretty thin line— thinner than any of us are comfortable in admitting—between sincerity and terrible music or art; let alone a non-existent line between contrivance and manipulation and terrible music on the magnitude I witnessed . I’m not sure I would even claim Bruce Springsteen as a Catholic musician per se, maybe a little pagan and a little catholic rolled into one New Jersey Woody Guthrie wannabe, but I sure feel a moving sense of transcendence in a song like “The Rising.” It might only be quasi-Christian in its intention or scope, informed by a Catholic sensibility, as I doubt Bruce sees himself aiming for that specifically. If anything, my guess is he’d see that type of specific aim as limiting to his art.
But to get back to the seventies... Petra... sitting in the gym at Taylor University… a high pitched vocal and guitar squealing… “back slider blues”... wah, wah, wah, wah. .. sweet!
To be honest, I never even heard of Christian music until a few years ago. I'm middle aged and obsessed with Bruce and find it interesting how he's gotten more overtly religious with each album. However, i will say that I listen to music (and yeah, I'm stuck in the old days) with a very Catholic sensibility. I want drama and incarnation. I like passionate rock music and I confess I find a lot of today's music just weak. Sorry--confessions from a boomer. I don't think i'd ever listen to a "Catholic" band--I'd rather be catholic.
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