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Over the Rhine and Through the Woods
Perhaps it’s embarrassing of me to admit this here at one of the dedicated hubs of their overall fan base, but until I was a fellow faculty member two summers ago at the Glen West Workshop hosted by Image, I had never heard of Over the Rhine—the musical/marital duo of Linford Detweiler and Karin Bergquist. For those of you who, like me, have been kept in the dark by evil cosmic forces, leave this website....
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A Bluegrass Wake
My sister died on a day when I was in Nashville. She went to be home, and I was five hundred miles from home, and another two thousand miles from my sister. It wasn't supposed to be this way. A one-to-three-months-to-live death sentence wasn't supposed to only last two weeks, and vacations—taken in part as a respite from the grievous weight of caring for a dying loved one—weren't supposed to end with....
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Not Slant Enough
The cover of Jackson Browne’s new CD, Time the Conqueror, features a black and white photo of the singer looking out from reflective glasses, his beard mostly white, his cryptic half-smile lying in that no man’s land between smugness and self-mockery. Compare that....
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Performing Art
I’m told music, dance and theater are performing arts, distinguished from “plastic arts” in that the medium of expression is the (frequently augmented) human body moving in time, the realization inseparable from interpretation....
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Ars Poetica
At the beginning of the score of his Valses nobles et sentimentales, composer Maurice Ravel placed a dedication based a quote from Henri de Régnier: “le plaisir délicieux et toujours nouveau d’une occupation inutile” (to the delightful and always novel pleasure of a useless occupation).
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Current Issue
Issue 71
Fiction by Larry Woiwode, interview with Joe Henry, art by Fabian Debora, essay by Barry Moser.
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