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Visual Art Essays

Art Essays from Issue 94

Art Essays from the Archive

Four Corners: Painters Frame Contemporary Painting


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A Spade is Not a Spade: The Art of Fabian Debora and the Mystery of Los Angeles


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Gravity and Grace: The Art of Richard Serra


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Night Vision: Jacques Maritain and the Meaning of Art


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111th Street Jesus: The Art and Faith of Muralist Kent Twitchell


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Gathering the Light: Sean Scully’s Montserrat Chapel


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Seeing Through the Darkness: Georges Rouault’s Vision of Christ


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A Painter’s Thoughts on the State of Painting


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Louise McClary: Landscapes of Love


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Approaching the Iceberg: Richard Meier’s Jubilee Church


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System and Chaos: The Art of Linnéa Spransy


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The Visual Jewishness of Mark Podwal


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Second Horizon: The Changing Vision of Odd Nerdrum


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Walking Man: The Art of Thomas Denny


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The Empty Bed: Tracey Emin and the Persistent Self


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Still Mending: South Africa between the Shadow and the Light


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The Word on the Street: The Photographs of Larry Racioppo


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Candy and Copenhagen: Encountering the Art of Jonathan Castellino


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The Thread that Weaves Life Together: Crossing Boundaries  with the Charis Exhibition


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Marc Quinn: The Matter of Life and Death


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Altars to the Unknown God: Modern Art for Modern Christians


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Recognizing the Stranger: The Art of Emmanuel Garibay


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Acquainted with the Night: The Art of Jerzy Nowosielski


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The House that Agnes Martin Built


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Oliver Barratt: Poetry of the Void


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From the Lines of Life: Guy Chase and the Art of the (Extra)Ordinary


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Peter Howson and the Harrowing of Hell


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