A Philosopher for Artists: Adrienne Dengerink Chaplin and Theodore L. Prescott on Susanne Langer
By Visual Art Issue 113
“Philosophy of art should start in the studio and not in the museum or the concert hall or library” (Susanne Langer)
Read MoreThe Missing Mother
By Visual Art Issue 113
I maintain that we need more of her: the vessel, the container, the harbor.
Read MoreIn the Studio
By Visual Art Issue 113
I think now is an interesting time, when the dialogue between religion and science can advance our understanding of the world like a mirror.
Read MoreDivine Intimations: Contemporary Floral Design for Sacred Spaces
By Visual Art Issue 112
Even John Calvin, who forbade the use of images in worship, waxed eloquent on the beauty of the natural world and the presence of God in the theater of creation. Arranged flowers seem an ideal way to bring that “third book” of God into the sacred space.
Read MoreIn the Studio
By Visual Art Issue 112
I’ve been struck by the immense beauty in the communities I have been a part of, both in Nigeria and now in Canada, as well as grieved by the levels of hardship. The motif of the garden, which I explore in my work, has become a place for me to sit with this contradiction.
Read MoreCurator’s Corner
By Visual Art Issue 111
I have often said that contemporaneity—much like modernity and creativity—does not belong to one race, place, or economy.
Read MorePortraiture and Personhood: Hubbard and Birchler’s Flora
By Visual Art Issue 111
The soundtrack alternates between David speaking about his mother’s life and his memories of her, and a voiceover narration in which Flora recalls her life in Paris. However, a viewer can only watch one side of the screen at a time—either Flora’s or David’s.
Read MoreWorking in the Dark
By Visual Art Issue 111
The heaviness of the questions I was trying to answer demanded a slower pace than photography alone could give me. I began sewing plant material from the farm into prints, and when I put the results in my scanner bed, I discovered that they became illuminated in unique ways, transformed into cosmic-looking abstractions.
Read MoreIn the Studio
By Visual Art Issue 111
I’m crowdsourcing these skills from local weavers and the older women in my family—my grandmothers and aunts—who are now scattered all over the world. They’re sharing stories of various such beds they’d woven or inherited and sending videos and patterns over WhatsApp.
Read MoreCurator’s Corner
By Visual Art Issue 110
Lasting images go beyond the simple act of documenting a moment by demanding a response from the viewer. The viewer reacts at a much deeper level, like we do to smell, but with the eyes.
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