A Conversation with Robert Clark
By Interview Issue 78
Robert Clark was born in Saint Paul, Minnesota. He received a BA in English from the University of California, Berkeley, and an MA in medieval studies from the University of London. He is the author of ten books, both fiction and nonfiction. Clark’s first collection of personal essays, My Grandfather’s House, was a finalist for…
Read MoreThings Come Alive: The Art of Olga Lah
By Essay Issue 80
OLGA LAH DID NOT start out wanting to wrap buildings in electrician’s tape, fill huge spaces with billows of crumpled paper, or line galleries with great swathes of plastic bottle caps. She did not set out to be an artist at all—let alone one catching the attention of the art world in Los Angeles and even…
Read MoreMirrormind: Lia Chavez and the Artistic Process
By Essay Issue 80
Neither the action nor the actors can be anticipated…. They begin as an unknown adventure in an unknown space. —Mark Rothko, 1947 OUR ENCOUNTER with reality is endlessly generative. Both Subject and Object, the contemplative and the contemplated, are replete with a beautiful, orderly complexity. The authentic artwork—glittering, effulgent with metaphysical…
Read MoreForward into the Dark
By Essay Issue 80
Forward into the Dark: Twenty-Five Years of Ambition IN “THE IRRATIONAL ELEMENT IN POETRY,” Wallace Stevens explains that the unknown “excites the ardor of scholars, who, in the known alone, would shrivel up with boredom…. [W]e may resent the consideration of [the unknown] by any except the most lucid minds; but when so considered,…
Read MoreA Conversation with Rowan Williams
By Interview Issue 80
Rowan Douglas Williams was born in Swansea, south Wales, in 1950, into a Welsh-speaking family, and was educated at Dynevor School in Swansea and Christ’s College, Cambridge, where he studied theology. After two years as a lecturer at the College of the Resurrection, near Leeds, he was ordained deacon in Ely Cathedral before returning to…
Read MoreWhat Now?
By Essay Issue 80
The Road Behind Us Image’s Founding Generation When Image was founded in 1989, the cultural landscape looked different than it does today. Religious writers and artists felt cold-shouldered in the public square and often ill at ease within the church. The need for a journal that demonstrated the continuing vitality of contemporary art informed by…
Read MoreBeautifully Dogged
By Essay Issue 80
The Road Behind Us Image’s Founding Generation When Image was founded in 1989, the cultural landscape looked different than it does today. Religious writers and artists felt cold-shouldered in the public square and often ill at ease within the church. The need for a journal that demonstrated the continuing vitality of contemporary art informed by…
Read MoreObjects Worth Keeping
By Essay Issue 80
The Road Behind Us Image’s Founding Generation When Image was founded in 1989, the cultural landscape looked different than it does today. Religious writers and artists felt cold-shouldered in the public square and often ill at ease within the church. The need for a journal that demonstrated the continuing vitality of contemporary art informed by…
Read MoreMusic without Labels
By Essay Issue 80
The Road Behind Us Image’s Founding Generation When Image was founded in 1989, the cultural landscape looked different than it does today. Religious writers and artists felt cold-shouldered in the public square and often ill at ease within the church. The need for a journal that demonstrated the continuing vitality of contemporary art informed by…
Read MoreStudying with You
By Essay Issue 80
The Road Behind Us Image’s Founding Generation When Image was founded in 1989, the cultural landscape looked different than it does today. Religious writers and artists felt cold-shouldered in the public square and often ill at ease within the church. The need for a journal that demonstrated the continuing vitality of contemporary art informed by…
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