World
By Poetry Issue 72
An old Jewish tradition, dating back to the Talmud, records that the world is sustained by the presence of at least thirty-six tzaddikim. These people do their good deeds quietly: their neighbors do not know who they are. If, however, that minimum of truly saintly people does not exist, then the world itself will perish.…
Read MoreThe Watcher
By Essay Issue 70
BEST OXTAIL SOUP” I said. My husband nodded. “Best Healthy for You Fish Fry.” His mouth quirked up in a smile, an effort I appreciated. We were both zonked from not getting enough sleep. Jamaican bakeries swung past, their windows advertising fluorescent-yellow-crusted beef pies as well as jerk chicken and sorrel. This was deep…
Read MoreMy Father at Eleven Years
By Poetry Issue 75
My grandfather moonlighted as a rabbi on Friday evenings when he should have been praying in the Bronx one-room apartment with no electricity and the claw-foot tub used for distilling whisky— not walking down 143rd Street below the globed gaslights, along the trolley tracks, past shuttered tobacco shops and Coca-Cola signage, towards Yonkers and the…
Read MoreWord
By Essay Issue 75
The Word-Soaked World Troubling the Lexicon of Art and Faith Since 1989, Image has hosted a conversation at the nexus of art and faith among writers and artists in all forms. As the conversation has evolved, certain words have cropped up again and again: Beauty. Mystery. Presence. For this issue, we invited a handful of…
Read MoreForgiveness
By Poetry Issue 79
after “The Sunflower: On the Possibilities and Limits of Forgiveness” by Simon Wiesenthal I All day I’ve been beating my breast, begging pardon of those I’ve offended: family, estranged friends, and ex-dates. Cleaning the slate, the Rabbi calls it each erev Yom Kippur. I’ve even emailed that asshole out west with the broad-brim hat and…
Read MoreHeart’s Companion: Listening to Leonard Cohen
By Essay Issue 79
Somebody said, “Lift that bale.” THE EPIGRAPH to Leonard Cohen’s second novel, Beautiful Losers, is attributed to “Ray Charles singing ‘Ol’ Man River.’” Not to Oscar Hammerstein, who wrote the lyrics, but to one of the song’s many singers. This was back when Cohen was known primarily as a novelist and poet, before he had performed…
Read MoreInsider/Outsider/In: The Art of Jennifer Anne Moses
By Essay Issue 79
THE SUNDAY TRAVEL SECTION of the New York Times would seem, on the face of it, an unexpected venue for an artistic confession, but for the multifaceted Jennifer Anne Moses—fiction writer, spiritual memoirist, and painter, as well as a self-confessed “liberal East Coast Jew”—it was an acutely appropriate venue, effectively the still point of…
Read MoreStudying with You
By Essay Issue 80
The Road Behind Us Image’s Founding Generation When Image was founded in 1989, the cultural landscape looked different than it does today. Religious writers and artists felt cold-shouldered in the public square and often ill at ease within the church. The need for a journal that demonstrated the continuing vitality of contemporary art informed by…
Read MoreThe Visual Jewishness of Mark Podwal
By Visual Art Issue 84
“For me, drawing is a form of prayer. Drawing and painting are how I express my Jewishness. I never took an art lesson, and I’m totally self-taught. I believe I’ve been blessed. And somehow a path that was not leading to my becoming an artist led me to where I was not planning on going.”
Read MoreAt the Amphitheatrum Flavium
By Poetry Issue 81
From the Janus view of the Janiculum, a warren of restricted views. To one’s left, the Vatican. Across the river, the Jewish Ghetto created by an edict of a pope, “Since it is absurd and utterly…
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