ODD NERDRUM has always been an iconoclast. As a young man in the 1960s he rejected the modernist-inspired art of his day—which he would later describe as “a wave of senility and apathy”—and focused instead on the skillful dramas of Old Masters like Caravaggio, Rembrandt, and Titian. He traveled often to see their paintings (a … Continue reading Second Horizon: The Changing Vision of Odd Nerdrum