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Visual Art Essays

Art Essays from the Current Issue

Curator’s Corner

An Interview with Lieke Wijnia

In the Studio

with Egyptian Sculptor Armen Agop 

Art Essays from the Archive

Levity and Gravity: The Sculpture of David Robinson


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To Make People Wonder: The Collaborative Portraits of Fritz Liedtke


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The Avant-Garde and Sacred Discontent: Contemporary Performance Artists Meet Ancient Jewish Prophets


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The Intoxicating Eye: On Looking at Jila Peacock’s Ten Poems from Hafez


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Jeffrey Mongrain: An Iconography of Eloquence


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111th Street Jesus: The Art and Faith of Muralist Kent Twitchell


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Oliver Barratt: Poetry of the Void


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From Specimen to Spectacle: The Unruly Art of Dayton Castleman


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Acquainted with the Night: The Art of Jerzy Nowosielski


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Ecologies of Knowing


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Approaching the Iceberg: Richard Meier’s Jubilee Church


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Active Sight: Vija Celmins and Jackson Pollock from Pictorialism to Perception


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From the Lines of Life: Guy Chase and the Art of the (Extra)Ordinary


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Altars to the Unknown God: Modern Art for Modern Christians


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Peter Howson and the Harrowing of Hell


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Still Mending: South Africa between the Shadow and the Light


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Seeing Through the Darkness: Georges Rouault’s Vision of Christ


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The Vessel and the Light: Ruth Weisberg Reads the Torah


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Mirrormind: Lia Chavez and the Artistic Process


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Paradox of Flesh: The Art of Chris Ofili


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Still Points: The Quiet Spaces of Wolfgang Laib


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The Empty Bed: Tracey Emin and the Persistent Self


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Profound Faith, Profound Beauty: The Life and Art of Sadao Watanabe


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Eat this Scroll: The Saint John’s Bible and the Word Made Flesh


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Four Corners: Painters Frame Contemporary Painting


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Karen Laub-Novak: A Catholic Expressionist in the Era of Vatican II


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Dancing to Strange Music: Diversity and Faith in the Visual Arts


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A Geology of the Sacred: Stephen Cox Reopens the Ancient Quarries


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Candy and Copenhagen: Encountering the Art of Jonathan Castellino


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Cindy Jackson’s Bevy of Boisterous Bodies


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The Thread that Weaves Life Together: Crossing Boundaries  with the Charis Exhibition


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Second Horizon: The Changing Vision of Odd Nerdrum


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The Mosque Outside the Mosque: Aerosol Arabic and the One Experience


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Where Do You Stand? Anselm Kiefer’s Visual and Verbal Artifacts


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Gerhard Richter: The Capacity for Belief


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Desire and Longing: Image Artists after Twenty Years


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Ritual Images


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Ecstatic Dislocation: The Art of Sedrick Huckaby


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Barry Krammes: Shepherd of the Wasteland


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Adrian Wiszniewski: A New Heaven and a New Earth


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Recognizing the Stranger: The Art of Emmanuel Garibay


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Attending to the Light: The Landscapes of David Dewey


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Marc Quinn: The Matter of Life and Death


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Guy Kinnear: Male Call


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Plates from a Forgotten Book: The Paintings of Kim Alexander


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Walking Man: The Art of Thomas Denny


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Second Line and the Art of Witness: Steve Prince’s Katrina Suite


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Secret Identities, Shifting Shapes:
The Graphic Novels of Gene Luen Yang


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Gravity and Grace: The Art of Richard Serra


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Night Vision: Jacques Maritain and the Meaning of Art


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The Mark of Cain


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Something Happens


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In Search of the Beautiful: The Art of Susie Hamilton


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Allegorical Strays: The Art and Craft of James Mellick


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A Celebration of Transient Beauty: The Photographic Art of Paul Kenny


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The Visual Jewishness of Mark Podwal


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Louise McClary: Landscapes of Love


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Redemptive Grit: The Ordinary Artistry of Gerald Folkerts


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Spiral Jetty

Learning to Live on the Spiral Jetty


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A Spade is Not a Spade: The Art of Fabian Debora and the Mystery of Los Angeles


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