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Visual Art Essays

Art Essays from the Current Issue

Curator’s Corner

An Interview with Lieke Wijnia

In the Studio

with Egyptian Sculptor Armen Agop 

Art Essays from the Archive

Jack Baumgartner and the School of the Transfer of Energy


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Insider/Outsider/In: The Art of Jennifer Anne Moses


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Seeing Through the Darkness: Georges Rouault’s Vision of Christ


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Levity and Gravity: The Sculpture of David Robinson


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The Avant-Garde and Sacred Discontent: Contemporary Performance Artists Meet Ancient Jewish Prophets


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Plates from a Forgotten Book: The Paintings of Kim Alexander


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Allegorical Strays: The Art and Craft of James Mellick


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Karen Laub-Novak: A Catholic Expressionist in the Era of Vatican II


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The Intoxicating Eye: On Looking at Jila Peacock’s Ten Poems from Hafez


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Desire and Longing: Image Artists after Twenty Years


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Walking Man: The Art of Thomas Denny


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Ecstatic Dislocation: The Art of Sedrick Huckaby


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A Reflection in the Window: Gerhard Richter Longs for More


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Still Mending: South Africa between the Shadow and the Light


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The Empty Bed: Tracey Emin and the Persistent Self


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Recognizing the Stranger: The Art of Emmanuel Garibay


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Louise McClary: Landscapes of Love


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Spiral Jetty

Learning to Live on the Spiral Jetty


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Vanishing into the Work: The Franciscan Labors of James Munce


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Candy and Copenhagen: Encountering the Art of Jonathan Castellino


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Gravity and Grace: The Art of Richard Serra


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Redemptive Grit: The Ordinary Artistry of Gerald Folkerts


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From the Lines of Life: Guy Chase and the Art of the (Extra)Ordinary


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Far as the Curse is Found: The Art of Scott Kolbo


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The Visual Jewishness of Mark Podwal


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Paradox of Flesh: The Art of Chris Ofili


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Second Horizon: The Changing Vision of Odd Nerdrum


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Zhi Lin: A New Old Master


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Four Corners: Painters Frame Contemporary Painting


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Active Sight: Vija Celmins and Jackson Pollock from Pictorialism to Perception


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Things Come Alive: The Art of Olga Lah


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111th Street Jesus: The Art and Faith of Muralist Kent Twitchell


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Carnal Beauties: The Art of Allison Luce


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Presence in a Space: The Flickering Contradictions of Martin Puryear


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Guy Kinnear: Male Call


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Mirrormind: Lia Chavez and the Artistic Process


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Altars to the Unknown God: Modern Art for Modern Christians


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A Geology of the Sacred: Stephen Cox Reopens the Ancient Quarries


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The Mosque Outside the Mosque: Aerosol Arabic and the One Experience


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Barry Krammes: Shepherd of the Wasteland


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Hanging Gardens: The Drawings of Gala Bent


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Dancing to Strange Music: Diversity and Faith in the Visual Arts


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Adrian Wiszniewski: A New Heaven and a New Earth


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System and Chaos: The Art of Linnéa Spransy


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Ecologies of Knowing


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Approaching the Iceberg: Richard Meier’s Jubilee Church


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Second Line and the Art of Witness: Steve Prince’s Katrina Suite


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Ritual Images


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Night Vision: Jacques Maritain and the Meaning of Art


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A Painter’s Thoughts on the State of Painting


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In Search of the Beautiful: The Art of Susie Hamilton


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Appropriation and Representation


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Gerhard Richter: The Capacity for Belief


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Pixelated Glories: The Graphic Excursions of Kathy T. Hettinga


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Jeffrey Mongrain: An Iconography of Eloquence


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Cindy Jackson’s Bevy of Boisterous Bodies


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The House that Agnes Martin Built


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Gathering the Light: Sean Scully’s Montserrat Chapel


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The Thread that Weaves Life Together: Crossing Boundaries  with the Charis Exhibition


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The Vessel and the Light: Ruth Weisberg Reads the Torah


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