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Visual Art Essays

Art Essays from the Current Issue

Curator’s Corner

An Interview with Lieke Wijnia

In the Studio

with Egyptian Sculptor Armen Agop 

Art Essays from the Archive

Jeffrey Mongrain: An Iconography of Eloquence


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Gravity and Grace: The Art of Richard Serra


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Barry Krammes: Shepherd of the Wasteland


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Altars to the Unknown God: Modern Art for Modern Christians


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Hanging Gardens: The Drawings of Gala Bent


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The Mark of Cain


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Louise McClary: Landscapes of Love


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Spiral Jetty

Learning to Live on the Spiral Jetty


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The House that Agnes Martin Built


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Zhi Lin: A New Old Master


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Profound Faith, Profound Beauty: The Life and Art of Sadao Watanabe


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Vanishing into the Work: The Franciscan Labors of James Munce


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Seeing Through the Darkness: Georges Rouault’s Vision of Christ


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Active Sight: Vija Celmins and Jackson Pollock from Pictorialism to Perception


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Gerhard Richter: The Capacity for Belief


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The Thread that Weaves Life Together: Crossing Boundaries  with the Charis Exhibition


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Acquainted with the Night: The Art of Jerzy Nowosielski


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The Mosque Outside the Mosque: Aerosol Arabic and the One Experience


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The Visual Jewishness of Mark Podwal


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Adrian Wiszniewski: A New Heaven and a New Earth


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Desire and Longing: Image Artists after Twenty Years


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Of Mind and Matter


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Dancing to Strange Music: Diversity and Faith in the Visual Arts


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Something Happens


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Paradox of Flesh: The Art of Chris Ofili


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In Search of the Beautiful: The Art of Susie Hamilton


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Redemptive Grit: The Ordinary Artistry of Gerald Folkerts


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Far as the Curse is Found: The Art of Scott Kolbo


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Marc Quinn: The Matter of Life and Death


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The Word on the Street: The Photographs of Larry Racioppo


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Levity and Gravity: The Sculpture of David Robinson


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Carnal Beauties: The Art of Allison Luce


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Insider/Outsider/In: The Art of Jennifer Anne Moses


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Night Vision: Jacques Maritain and the Meaning of Art


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A Spade is Not a Spade: The Art of Fabian Debora and the Mystery of Los Angeles


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Allegorical Strays: The Art and Craft of James Mellick


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A Reflection in the Window: Gerhard Richter Longs for More


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Gathering the Light: Sean Scully’s Montserrat Chapel


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Things Come Alive: The Art of Olga Lah


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Jack Baumgartner and the School of the Transfer of Energy


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Karen Laub-Novak: A Catholic Expressionist in the Era of Vatican II


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Where Do You Stand? Anselm Kiefer’s Visual and Verbal Artifacts


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Approaching the Iceberg: Richard Meier’s Jubilee Church


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Presence in a Space: The Flickering Contradictions of Martin Puryear


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Mirrormind: Lia Chavez and the Artistic Process


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Eat this Scroll: The Saint John’s Bible and the Word Made Flesh


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Recognizing the Stranger: The Art of Emmanuel Garibay


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A Painter’s Thoughts on the State of Painting


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Cindy Jackson’s Bevy of Boisterous Bodies


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Still Points: The Quiet Spaces of Wolfgang Laib


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Ritual Images


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Peter Howson and the Harrowing of Hell


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Second Line and the Art of Witness: Steve Prince’s Katrina Suite


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Appropriation and Representation


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Four Corners: Painters Frame Contemporary Painting


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From Specimen to Spectacle: The Unruly Art of Dayton Castleman


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Secret Identities, Shifting Shapes:
The Graphic Novels of Gene Luen Yang


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A Celebration of Transient Beauty: The Photographic Art of Paul Kenny


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Attending to the Light: The Landscapes of David Dewey


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To Make People Wonder: The Collaborative Portraits of Fritz Liedtke


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