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Visual Art Essays

Art Essays from Issue 95

Secret Identities, Shifting Shapes: The Graphic Novels of Gene Luen Yang

Essay by Dorcas Cheng-Tozun

Ways of Proceeding: The Art of Three Contemporary Jesuits

Essay by Gordon L. Fuglie

Art Essays from the Archive

Spiral Jetty

Learning to Live on the Spiral Jetty


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Cindy Jackson’s Bevy of Boisterous Bodies


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Seeing Through the Darkness: Georges Rouault’s Vision of Christ


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Eat this Scroll: The Saint John’s Bible and the Word Made Flesh


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A Painter’s Thoughts on the State of Painting


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Marc Quinn: The Matter of Life and Death


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Pixelated Glories: The Graphic Excursions of Kathy T. Hettinga


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Allegorical Strays: The Art and Craft of James Mellick


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Vanishing into the Work: The Franciscan Labors of James Munce


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System and Chaos: The Art of Linnéa Spransy


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In Search of the Beautiful: The Art of Susie Hamilton


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Where Do You Stand? Anselm Kiefer’s Visual and Verbal Artifacts


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From the Lines of Life: Guy Chase and the Art of the (Extra)Ordinary


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Second Horizon: The Changing Vision of Odd Nerdrum


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Gravity and Grace: The Art of Richard Serra


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To Make People Wonder: The Collaborative Portraits of Fritz Liedtke


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The Thread that Weaves Life Together: Crossing Boundaries  with the Charis Exhibition


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Dancing to Strange Music: Diversity and Faith in the Visual Arts


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The Mark of Cain


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Presence in a Space: The Flickering Contradictions of Martin Puryear


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Things Come Alive: The Art of Olga Lah


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A Geology of the Sacred: Stephen Cox Reopens the Ancient Quarries


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Secret Identities, Shifting Shapes:
The Graphic Novels of Gene Luen Yang


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The House that Agnes Martin Built


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Ecologies of Knowing


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Jeffrey Mongrain: An Iconography of Eloquence


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Still Mending: South Africa between the Shadow and the Light


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Hanging Gardens: The Drawings of Gala Bent


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