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Visual Art Essays

Art Essays from the Current Issue

Art Essays from the Archive

The Empty Bed: Tracey Emin and the Persistent Self


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Altars to the Unknown God: Modern Art for Modern Christians


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Eat this Scroll: The Saint John’s Bible and the Word Made Flesh


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Levity and Gravity: The Sculpture of David Robinson


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The Avant-Garde and Sacred Discontent: Contemporary Performance Artists Meet Ancient Jewish Prophets


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The Word on the Street: The Photographs of Larry Racioppo


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Presence in a Space: The Flickering Contradictions of Martin Puryear


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A Reflection in the Window: Gerhard Richter Longs for More


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Recognizing the Stranger: The Art of Emmanuel Garibay


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A Celebration of Transient Beauty: The Photographic Art of Paul Kenny


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The House that Agnes Martin Built


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Dancing to Strange Music: Diversity and Faith in the Visual Arts


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Zhi Lin: A New Old Master


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Things Come Alive: The Art of Olga Lah


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Four Corners: Painters Frame Contemporary Painting


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Paradox of Flesh: The Art of Chris Ofili


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Of Mind and Matter


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A Spade is Not a Spade: The Art of Fabian Debora and the Mystery of Los Angeles


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Second Line and the Art of Witness: Steve Prince’s Katrina Suite


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A Geology of the Sacred: Stephen Cox Reopens the Ancient Quarries


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Ecstatic Dislocation: The Art of Sedrick Huckaby


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Allegorical Strays: The Art and Craft of James Mellick


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System and Chaos: The Art of Linnéa Spransy


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Jeffrey Mongrain: An Iconography of Eloquence


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111th Street Jesus: The Art and Faith of Muralist Kent Twitchell


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The Thread that Weaves Life Together: Crossing Boundaries  with the Charis Exhibition


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In Search of the Beautiful: The Art of Susie Hamilton


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The Intoxicating Eye: On Looking at Jila Peacock’s Ten Poems from Hafez


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The Mark of Cain


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