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Visual Art Essays

Art Essays from the Current Issue

Art Essays from the Archive

Gravity and Grace: The Art of Richard Serra


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Louise McClary: Landscapes of Love


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Paradox of Flesh: The Art of Chris Ofili


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The House that Agnes Martin Built


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Guy Kinnear: Male Call


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The Visual Jewishness of Mark Podwal


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Peter Howson and the Harrowing of Hell


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Noah Buchanan and the Renewal of Mystery


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Barry Krammes: Shepherd of the Wasteland


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Approaching the Iceberg: Richard Meier’s Jubilee Church


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Candy and Copenhagen: Encountering the Art of Jonathan Castellino


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Adrian Wiszniewski: A New Heaven and a New Earth


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Appropriation and Representation


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Carnal Beauties: The Art of Allison Luce


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Spiral Jetty

Learning to Live on the Spiral Jetty


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Second Line and the Art of Witness: Steve Prince’s Katrina Suite


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Karen Laub-Novak: A Catholic Expressionist in the Era of Vatican II


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Still Mending: South Africa between the Shadow and the Light


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The Mosque Outside the Mosque: Aerosol Arabic and the One Experience


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A Geology of the Sacred: Stephen Cox Reopens the Ancient Quarries


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Active Sight: Vija Celmins and Jackson Pollock from Pictorialism to Perception


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Levity and Gravity: The Sculpture of David Robinson


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From the Lines of Life: Guy Chase and the Art of the (Extra)Ordinary


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Where Do You Stand? Anselm Kiefer’s Visual and Verbal Artifacts


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Redemptive Grit: The Ordinary Artistry of Gerald Folkerts


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In Search of the Beautiful: The Art of Susie Hamilton


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A Painter’s Thoughts on the State of Painting


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The Intoxicating Eye: On Looking at Jila Peacock’s Ten Poems from Hafez


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Something Happens


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