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Opening the Door: A Conversation with Abstract Painter Lanecia Rouse Tinsley

Lanecia Rouse Tinsley is an abstract artist based in Houston, Texas. She creates out of a desire to make the invisible landscapes within us known, using texture, form and color to speak to life in ways she feels words cannot. She says she is drawn to the “negative spaces” in life—times of ambiguity and uncertainty, silence and mystery.

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Robert Cording, Simon Weil, and “Attention”

By Peggy RosenthalJuly 25, 2019

Decades ago, when I was being drawn from atheism through agnosticism toward Christianity, somehow Simone Weil’s writings came into my hands. Literally into my hands: so struck was I by her words that I copied pages and pages of them into my journal. Weil became my spiritual director. She led my spirit to eventually embrace…

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Jonathan Anderson and the Life of Modern Art

By Jonathan McGregorMarch 18, 2019

When I lived in St. Louis, one of the paintings I always looked forward to seeing most at the art museum in Forest Park was Franz Kline’s Bethlehem (1959-60). It looks like a smudged cross on a pale Ash Wednesday forehead. It looks like the steel girders of a suspension bridge. It looks like random…

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Life Is Short; Art is Long

By Viv SizemoreJuly 25, 2018

As part of our tourist rounds in Chicago my wife and I visited the Art Institute, which is far too large to take in in a single day. As happens every time I go to a large museum, by the time we walked out I was in a state of melancholy existential astonishment. One installation…

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Halos and Other Important Things

By Jessica Eddings-RoeserMarch 22, 2018

In second grade my mom put me in an art class taught by a fluffy-haired blonde who took us to a museum to sketch a Madonna with child. Before we began, our teacher asked us what we noticed about the painting. I raised my hand. “She has a golden crown.” “It’s a halo, not a…

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The Arm, the Girl, and the Guard

By Natalie VestinOctober 16, 2017

In a long room with three doorways in Tokyo’s National Museum of Modern Art, somewhere in the humming midgut of the building, hangs an oil painting of a man’s arm holding a hammer above a length of chain. In front of the painting about three paces away is a twenty-two-year-old girl (her wording) who’s spent…

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The Beauty Dialogues, Part 7

By Santiago RamosJune 14, 2017

Today philosophy professor Santiago Ramos steps in with the last word (we think) of “The Beauty Dialogues,” a periodic exchange between Image contributor Morgan Meis and Image founder Gregory Wolfe. For a while now I have borne the fearful hunch that sooner or later, Image would have to confront Immanuel Kant. A journal whose reason…

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Thine Is the Transkingdom

By Natalie VestinJune 8, 2017

Jasmine Temple, laboratory technician at New York University Lagone Medical Center, Institute for Systems Genetics, won this year’s agar art contest for her creation “Sunset at the End.” The contest, held every year by the American Society for Microbiology, features images of landscapes, portraits, and conceptual art made by the arrangement of microorganisms grown on…

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The Beauty Dialogues, Part 6

By Gregory WolfeJune 1, 2017

Today Gregory Wolfe continues his periodic exchanges on the nature of beauty with Image contributor Morgan Meis.  Dear Morgan, Well, yesterday you took your swing all right. I just can’t tell if you’ve decked me or…whiffed. In either case, I’m certainly dazed! I told you last time that I have no formal philosophical training, so…

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The Beauty Dialogues, Part 5

By Morgan MeisMay 31, 2017

Today Morgan Meis continues his periodic exchanges on the nature of beauty with Image founder Gregory Wolfe. Dear Greg, In your last letter, you asked me not to hesitate in taking a “real swing” at you, philosophically speaking. (Or were you suggesting that this tête-à-tête must inevitably culminate in the back of an alley somewhere?)…

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