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Necessary Images, Part 2

By Scott TeemsJuly 18, 2017

This post, continued from yesterday, appears as the Editorial Statement in Image issue #93 on the art of film guest edited by Gareth Higgins and Scott Teems. Kieślowski’s Blue is a master class in film form—everything there is to learn about editing and sound design can be found in its first ten minutes—but what lingers longest in the memory is…

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Necessary Images, Part 1

By Scott TeemsJuly 17, 2017

This post appears as the Editorial Statement in Image issue #93 on the art of film guest edited by Gareth Higgins and Scott Teems. not beautiful photography, not beautiful images, but necessary images… —Robert Bresson For years I’ve wrestled with this seemingly straightforward declaration from the notebook of revered French film director Robert Bresson (a small book, but a…

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The Eye Behind the Camera: Kirsten Johnson’s Cameraperson

By Nick OlsonApril 20, 2017

When we first see the close-up of the dead bird on the ground, we wonder why. It’s only a few scenes later that we return to the site of the bird to see two young children, twin brother and sister, asking their mother and grandfather if they can go outside to bury the dead bird.…

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A Conversation with Scott Derrickson, Part 2

By Nick OlsonDecember 15, 2016

Continued from yesterday. Scott Derrickson is the director of several films, including The Exorcism of Emily Rose, Sinister, and Deliver Us From Evil. His most recent film, Marvel’s Doctor Strange, is in theaters now. I had the chance to chat with Scott for Christianity Today in the summer of 2014, when news had just broke that…

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Boyhood and the Incarnation of Time

By Brad FruhauffJuly 6, 2016

The hardest part of watching Boyhood for me wasn’t the film itself but going back to the main menu. You’ve just been immersed in this family’s life for twelve years, and now suddenly you see select moments of that life assembled together in a collage of stills as that soft, wistful song, “Hero,” plays: So…

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