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A Conversation with Scott Derrickson, Part 1

By Nick OlsonDecember 14, 2016

Scott Derrickson is a director whose films include The Exorcism of Emily Rose, Sinister, and Deliver Us From Evil. His most recent film, Marvel’s Doctor Strange, is in theaters now. I had the chance to chat with Scott for Christianity Today in the summer of 2014, when news had just broke that he was Marvel’s choice. In this…

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In the Company of Women, Part II

By Jeffrey OverstreetAugust 25, 2016

Continued from yesterday.  “You’re the sort of man who can’t know anyone intimately, least of all a woman.” That may be the most stinging, hurtful reprimand I’ve ever heard. Thank God it wasn’t aimed at me: Those words were spoken by Miss Lucy Honeychurch to her fiancé, Mr. Cesil Vyse, in 1985’s A Room With…

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In the Company of Women, Part I

By Jeffrey OverstreetAugust 24, 2016

In late July of 1992, Batman Returns ruled the box office. I bought a ticket for something else: A film about two married women and a grumpy widow who take a holiday and, as The Seattle Times put it, “rediscover their sensuality on the sunny Mediterranean.” Strange, I know. But there I was, a twenty-one-year-old…

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Better Call Saul

By A. G. HarmonMarch 23, 2016

Better Call Saul, a prequel to AMC’s milestone series, Breaking Bad, further establishes co-creators Vince Gilligan and Peter Gould to be among the most intricate moral thinkers working in the dramatic arts. Whereas the first series rendered the ethical decline of a dying man who makes something of a noble bargain with his conscience—attempting to…

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The Coen Brothers, Plato, and the Imagination

By Santiago RamosFebruary 15, 2016

Note: This review contains mild spoilers. Hail, Caesar!, the Coen Brothers’ latest offering, tells the story of a pious hero on a religious quest, and by all appearances is a movie that asks to be interpreted in a theological way. A quasi-parable set in a big studio during the Golden Era of Hollywood, the film…

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Brooklyn: A Drama of Discernment

By A.G. HarmonFebruary 5, 2016

One of the hardest things in life is having two good choices that are completely exclusive of each other. It’s not a matter of picking a major in college, regretting it, and changing to another track; not a matter of taking a job at the wrong place and eventually finding your way to another one.…

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Winners: Arts & Faith Ecumenical Jury Film Awards for 2015, Part 2

By Kenneth R. MorefieldJanuary 13, 2016

Continued from yesterday. Read Part 1 here. Coninuing yesterday’s list of films, here are five other films (ranked) the 2015 Arts & Faith Ecumenical Jury recommended for Christian audiences, plus a list of honorable mentions (unranked):   5) Love & Mercy—Bill Pohlad Love & Mercy—about the struggle of the Beach Boys’ anchor Brian Wilson to…

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Winners: Arts & Faith Ecumenical Jury Film Awards for 2015, Part 1

By Kenneth R. MorefieldJanuary 12, 2016

The 2015 Arts & Faith Ecumenical Jury Film Awards had a decidedly international flavor. Six of ten films recognized by the Image-sponsored discussion forum were foreign-language films, including the top three entrants. Perhaps because of that international flavor, this year’s list of films specifically recommended for Christian audiences looked beyond representations of Christianity and included…

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Repression, Oppression, Suppression: A Life of Domestic Routine

By Morgan MeisDecember 23, 2015

Somewhere in the middle of Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles, the eponymous Jeanne eats a sandwich in her kitchen. We have, by that point in the film, seen quite a lot of Jeanne’s kitchen. We’ve watched Ms. Dielman cook in that kitchen, peel potatoes, wash dishes (shot from behind her back so…

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A Good Fight: Deux Jours, Une Nuit (Two Days, One Night)

By A.G. HarmonOctober 26, 2015

If a pair of writer/directors exists that can rival Joel and Ethan Coen for a body of work with profound depictions of humanity, it is another set of brothers. The films of the Dardennes, Jean-Pierre and Luc, have consistently been among the best of modern offerings and were a main feature in an essay I…

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