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Meditations of a Library Assistant in the BS Aisle

By Lauren TurnerAugust 21, 2018

As I shuffle through the stacks pushing my cart of books along, awkwardly favoring one side so as not to sever a loose wheel, I make note of the classifications within the Library of Congress system. Literature is in the P’s. DVD’s that have something to do with Shakespeare are in the Audiovisual PR’s. Photography:…

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Doorways to Death

By Christiana PetersonAugust 20, 2018

My house has doors built for death. When my husband and I first bought it a year ago, I won’t say I fell in love with it, but it felt like a place that could become a home. Built in the 1850s, the house has narrow stairways that appear in unexpected places and steps that…

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Maya Angelou’s Caged Bird and Me

By Allison Backous TroyAugust 15, 2018

But a plea, that upward to Heaven he flings —Paul Lawrence Dunbar, “Sympathy” I first read Maya Angelou’s I Know Why the Caged Bird Sings when I was thirteen. I discovered the book through an interview with Fiona Apple, one of the many female singer-songwriters whose mournful lyrics poured through my boom box speakers while…

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A Conversation with Welcome Wagon’s Vito Aiuto, Part 3

By Mary McCampbellAugust 13, 2018

The Welcome Wagon’s Vito and Monique Aiuto released their first album, Welcome to the Welcome Wagon in 2008. The homespun effort was produced by Sufjan Stevens and was lauded by outlets as diverse as Pitchfork Magazine (the ultimate indie bible) and Christianity Today. Known for their endearing, lush, and earnest combination of indie-folk hymns, low-fi…

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A Conversation with Welcome Wagon’s Vito Aiuto, Part 2

By Mary McCampbellAugust 9, 2018

The Welcome Wagon’s Vito and Monique Auito are known for their endearing, lush, and earnest combination of indie-folk hymns, low-fi pop covers, and often revealing original songs. They sing of the glorious ruins of humanity and the cleansing blood of Jesus, treating both with beauty, grace, and inescapable authenticity. I met with Vito Aiuto—poet, musician…

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A Conversation with Welcome Wagon’s Vito Aiuto, Part 1

By Mary McCampbellAugust 8, 2018

After years of holding intimate hymn-singing gatherings in their living room, Reverend Vito and Monique Aiuto released Welcome to the Welcome Wagon in 2008; the homespun album was produced by Sufjan Stevens and put out by Stevens’s own Asthmatic Kitty records. The Aiutos, accompanied by Stevens and other friends, called themselves The Welcome Wagon—and their…

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Here Is Where We Wait

By Natalie VestinAugust 7, 2018

This summer, I climbed the rotting steps to the hayloft of my family’s barn to look for a plaque honoring the use of emergent DNA technology in solving the Brown’s Chicken Massacre case. The floor was soft, dipping a little as I walked, and I looked in slow motion through my great-aunt’s things: frosted glassware,…

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Can a Racist Drive a Prius? Stereotypes and the Single Story

By Peggy RosenthalAugust 6, 2018

I think it’s good for me when my stereotypes of others are challenged. Like this recent experience. I was taking a walk in my neighborhood and approached a parked Jeep from the rear. Covering the spare tire hung on the back was a huge American flag with the words “The Only One.” My instinctive response,…

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Abandoning Prayer

By E. D.August 2, 2018

If you can keep your faith once you’ve stopped using prayer as an attempt to control the universe, I reckon your faith is real and can be trusted. I was on the plane to California the first time I recognized that my religiosity might be a form of superstition, and in that fashion, also a…

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I’ll Be Waiting Right Here

By Brad FruhauffAugust 1, 2018

Apparently, running late may be a symptom of optimism, creativity, and literally perceiving time differently. That was cold comfort in the doctor’s waiting room. I had arrived early to be ready right when they called me, but they didn’t call me. Five minutes. Ten minutes. Fifteen. Twenty. That’s when I started really stewing about the…

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