Skip to content

Log Out

×

A Conversation with Ron Austin

By Mary Kenagy MitchellJuly 24, 2017

This post is a web-exclusive feature accompanying Image issue 93. In the conversation around faith and film, Ron Austin is an elder statesman. He has worked a lifetime in the entertainment industry, and his essays and books, including In a New Light: Spirituality and Media Arts, have influenced generations of filmmakers (much of his writing is…

Read More

A Conversation with Lauren Winner, Part 2

By Mary Kenagy MitchellJune 21, 2017

Continued from yesterday. This post originally appeared as a web-exclusive feature accompanying Image issue 84. Each chapter of Lauren F. Winner’s book, Wearing God: Clothing, Laughter, Fire, and Other Overlooked Ways of Meeting God (HarperOne), explores a single biblical image of God through a mix of exegesis, cultural history, and personal essay. I asked Winner about her…

Read More

A Conversation with Lauren Winner, Part 1

By Mary Kenagy MitchellJune 20, 2017

This post originally appeared as a web-exclusive feature accompanying Image issue 84. Each chapter of Lauren F. Winner’s book, Wearing God: Clothing, Laughter, Fire, and Other Overlooked Ways of Meeting God (HarperOne), explores a single biblical image of God through a mix of exegesis, cultural history, and personal essay. The chapter excerpted in issue 84 is about bread. I…

Read More

A Conversation with Van Gessel

By Mary Kenagy MitchellMay 25, 2017

Van Gessel has been Shūsaku Endō’s primary English translator since the 1970s. He has translated eight of his novels and worked as a consultant on Martin Scorsese’s adaptation of Silence. I asked him about the previously untranslated Endō story in Image issue 92, and about what Endō’s work has to say to the West. Image:…

Read More

Stopping the Press

By Mary Kenagy MitchellDecember 12, 2016

This is the time of year when we work on Image’s annual budget. Here in the excruciatingly lean nonprofit sector, there’s a sort of elegant efficiency to having very little to spend—but it also means that when we need to make cuts, we cut close to the bone. I’m a practical person, and so I…

Read More

A Conversation with Pinckney Benedict

By Mary Kenagy MitchellOctober 25, 2016

This post originally appeared as a web-exclusive feature accompanying Image journal issue 57. Mary Kenagy Mitchell for Image: You have a novel titled Dogs of God, and in your new story in Image, “The World, the Flesh, and the Devil,” a feral dog is one of the two main characters. What do dogs have to teach…

Read More

A Conversation with John Terpstra

By Mary Kenagy MitchellOctober 20, 2016

This interview originally appeared as a web-exclusive feature for Image issue 63. John Terpstra has been in church since before he was born. “I have heard everything there is to say about the place, for and against; both its necessity and its redundancy. Have felt it all, in my bones,” he writes. Issue 63 of…

Read More

From the Engine Room, Part II: Mountains of Time

By Mary Kenagy MitchellJuly 26, 2016

Continued from yesterday.  Up until this point, in describing what it’s like to read Image’s unsolicited manuscripts, I have not said much that an editor at any journal might not say, but of course, Image is not any journal. “Art, faith, mystery” is on our masthead—and we have a long history and a community that…

Read More

From the Engine Room, Part I: The Problem with Efficiency

By Mary Kenagy MitchellJuly 25, 2016

About a year ago we at Image dragged ourselves into the twentieth century and started accepting unsolicited submissions online. We had held off partly because we were worried that the numbers would balloon—and the amount of work we receive did immediately triple. (We’ve added another reader to help us keep up, but if you feel…

Read More

Receive ImageUpdate, our free weekly newsletter featuring the best from Image and the world of arts & faith

* indicates required