Skip to content

Log Out

×

The Narratives We Need: Part 2

By Shannon Huffman PolsonMay 3, 2018

Recently I sang Benjamin Britten’s War Requiem with the Seattle Symphony. In his adaptation of The Requiem, Britten juxtaposes Wilfred Owen’s poetry with the Latin mass. The male soloists sing Owen’s poem “The Parable of the Old Men and the Young,” the story of Abraham and Isaac, right up to the angel and the ram.…

Read More

The Narratives We Need: Part 1

By Shannon Huffman PolsonMay 2, 2018

“Tell me a story,” my son has started to say after reading his bedtime books. The first time he made the request, I looked at him as I don’t do often enough, seeing the soft cheeks and hands already changing so fast for his three years, blue eyes looking at me with trust more complete…

Read More

A Conversation with Marilyn Nelson: Part 2

By Jeanne Murray WalkerFebruary 20, 2018

Marilyn Nelson is the author or translator of twelve books and three chapbooks. Her honors include two NEA creative writing fellowships, the 1990 Connecticut Arts Award, an A.C.L.S. Contemplative Practices Fellowship, a Fulbright Teaching Fellowship, a fellowship from the J.S. Guggenheim Memorial Foundation, three honorary doctorates, and the Commander’s Award for Public Service from the…

Read More

Necessary Images, Part 2

By Scott TeemsJuly 18, 2017

This post, continued from yesterday, appears as the Editorial Statement in Image issue #93 on the art of film guest edited by Gareth Higgins and Scott Teems. Kieślowski’s Blue is a master class in film form—everything there is to learn about editing and sound design can be found in its first ten minutes—but what lingers longest in the memory is…

Read More

Courting Babel

By Natalie VestinJune 22, 2017

This month I thought it would be a good idea to take four hours of Arabic every week and an intensive JavaScript course all while working full-time. I was nervous about the Arabic, scared that I wouldn’t remember how to read or speak politely after three years away from formal lessons, but strangely, it came…

Read More

Poetry Friday: “Carol of the Infuriated Hour”

By David Brendan HopesDecember 23, 2016

Christmas carols: we love their joyous celebration of the birth of Christ. In “Carol of the Infuriated Hour,” David Brendan Hopes takes the carol form—its rhythm and rhyme scheme—to present a more complex view of the Christmas event. The poem’s speaker has “warred” with God, but  he decides to cease his struggle “for the sake…

Read More

What My Kid Knew about Kubo

By Brad FruhauffSeptember 14, 2016

[Spoiler alert: This post is about the end of the movie, Kubo and the Two Strings. However, since, I believe, the ending nearly spoils the film itself, you can read this and still enjoy the other, real pleasures of the movie.] In the dramatic climax of Kubo and the Two Strings, our young hero defies…

Read More

Changing Positions: A Meditation for Campaign Season

By Richard ChessMarch 17, 2016

(With help from Donovan, D. T. Suzuki, Qingyuan Weixin, Wallace Stevens, democracy, REM, Bonnie Raitt, David Bowie, Stanley Kunitz, neuroscience, Torah, Ben Bag Bag, The Rabbis, Leonard Cohen, Bob Dylan, you.)   First there is a mountain then there is no mountain then there is. Donovan, are you flip-flopping? Or is it you, mountain? It…

Read More

Finding My Inner Calamity Jane

By Tania RunyanMarch 9, 2016

Calamity Jane lumbered around Deadwood in fringed buckskins, spitting, cursing, and waving her whiskey flask in the shadows of the Black Hills. And I want to be more like her. Guns scare me, of course. Animal skins give me the willies, and more than a sip of hard liquor gets me coughing. Deadwood’s very existence…

Read More

We Tell Ourselves Stories in Order to Live

By David GriffithNovember 23, 2011

Last Thursday evening I accompanied a group of ten students to Washington D.C. to hear Joan Didion talk about her new book, Blue Nights. The event took place in the Avalon Theatre, a charming old movie theatre with a tall glowing marquis. I hadn’t read the book yet, but I brought a copy with me…

Read More

Receive ImageUpdate, our free weekly newsletter featuring the best from Image and the world of arts & faith

* indicates required