“For me the only way I can have a relationship with divinity is through the unknown, through mystery. If your idea of divinity is leaning into the mystery, you’re more likely to find grace in a variety of places. In my fiction I have tried to make traditionally ugly places beautiful and filled with grace—garbage dumps, malls. I’ve always had that impulse to try to see things not the way the world sees them, but to see the spark of movement and divinity in what is considered to be darkness, ugliness. That makes the most spiritual sense to me.”

“Glosa” refers to an invented language created as a way for all the world’s speakers to understand each other.

It was nonviolence that initially brought me to my spiritual director, Fr. Bill Shannon. I was a new Christian, baptized into the Catholic Church at Easter in 1983. The very next month, the U.S. Catholic Bishops Conference issued a pastoral letter called The Challenge of Peace. The context of the letter was the Cold War’s…

“The Word of God which is his comfort is also his distress. The liturgy, which is his joy and which reveals to him the glory of God, cannot fill a heart that has not previously been humbled and emptied by dread. Alleluia is the song of the desert.” —Thomas Merton, Contemplative Prayer When the hospice…

The Glory of the World—now running at the Brooklyn Academy of Music—is about Thomas Merton in the same way The Big Lebowski is about the Gulf War—almost inscrutably. Few plays about pacifist monks need a fight choreographer, a giant rhinoceros, a sprinkler, a ukelele, two air mattresses, and a remote-control helicopter. The original story sounds almost…