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How Can I Speak of Haiti?

By Morgan MeisApril 3, 2018

There’s nothing to say about Haiti. Even to begin, to start, to try, is to fall into cliches. The cliches of the poverty. The cliches of the beauty. The cliches of the complications. Even the cliche of talking about the cliches. You can’t write about Haiti without overdoing it. You also can’t write about Haiti…

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The Mysteries of Revision

By Bryan BlissJuly 5, 2017

When a former MFA professor asked me to come to her class and speak on revision, I immediately said yes. Not only was she a writer and an academic that I respected, there had been an ongoing, semi-inside, joke between me and some of my MFA cohort members about my desire to be acknowledged by…

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The “Oh, There You Are” Prayer

By Natalie VestinMay 11, 2017

Three egg sacs hang in suspension in the garden near my doorstep. When I look for information online, most resulting websites discuss removal, infestation, means of discarding. The spider has lived between the wall and garden for a little over a month, a strange home in the alley’s wind tunnel. Gusts waver the plants during…

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Mysteries Sherlock Holmes Can’t Solve

By Brad FruhauffMarch 28, 2017

“No, you should definitely major in English,” I told our babysitter, a high-school senior from our church who is considering an English or Communications degree. “Fiction is just like faith,” I said, “it’s its own kind of knowledge that makes our lives richer.” I really believe that, though I have to renew my conviction from…

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Adam Zagajewski’s Trench Warfare

By Peggy RosenthalJuly 5, 2016

“Writing poems is a duel / that no one wins…” As I’m reading the poem that opens with these words, I think: this could be describing my life. The poem is called “Writing Poems.” It’s by the superb contemporary Polish poet Adam Zagajewski, in his new collection, Unseen Hand. And in fact, nearly all the…

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Poetry Friday: “Middle Distance, Morning”

By Margaret GibsonMay 13, 2016

I read this poem as a meditation on how one can relate to the outside world without needing to possess it. A poem on how to let go: to connect beyond oneself without clutching. Here, the outside world is that of nature, which the poem’s speaker recounts her relation to. Partly it’s a relation of…

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