Four Corners: Painters Frame Contemporary Painting
By Essay Issue 60
Painting has died and been resurrected several times in recent decades. Challenged by theory-laden conversations about art’s “post-medium” condition and a welter of deconstructionist propositions, painting seems nevertheless to have thrived in the face of adversity. Some would say it remains as manifold and imaginative as ever. In order to take its pulse, Image asked…
Read MoreA Conversation with Madeline DeFrees
By Interview Issue 61
Madeline DeFrees is the author of two chapbooks and eight full-length poetry collections, including Spectral Waves (Copper Canyon, 2006) and Blue Dusk (Copper Canyon, 2001), winner of the 2002 Lenore Marshall Poetry Prize and a Washington Book Award, as well as two books of nonfiction about convent life. She spent many years as a nun…
Read MoreA Conversation with Tim Gautreaux
By Interview Issue 63
Tim Gautreaux was born in Morgan City, Louisiana, in 1947. He attended Nicholls State University and the University of South Carolina, where he earned a PhD in English literature. In 1972 he began teaching creative writing at Southeastern Louisiana University, where he directed the creative writing program until his retirement in 2003. His books…
Read MoreA Conversation with Emmanuel Garibay
By Interview Issue 65
Neighbors, Strangers, Family, Friends Four Artists Reflect on Charis The traveling art exhibition Charis—Boundary Crossings: Neighbors Strangers Family Friends features work by seven Asian and seven North American artists. The show grew out of a two-week seminar in Indonesia sponsored by Calvin College’s Nagel Institute for the Study of World Christianity and the Council for…
Read MoreDancing to Strange Music: Diversity and Faith in the Visual Arts
By Essay Issue 65
We played the flute for you and you did not dance…. ——————————————–—Matthew 11:17 IN HIS INTRODUCTION to a collection of medieval Welsh tales, the late John Updike describes his reaction: we feel in reading these stories, he says, “as if we are dancing with a partner who hears a distinctly different music.” The Charis exhibit—an…
Read MoreWeb Exclusive: A Reader Interview with Linford Detweiler
By Interview Issue 75
A big thanks to one-half of Over the Rhine, the pianist, bassist, and songwriter Linford Detweiler, for participating in our reader interview–and to our Imagereaders for their thoughtful, funny, and off-the-wall questions. You can read the jumping-off point for this interview, Linford’s reflection on the word human from issue 75, here. What was your first thought when you sat down…
Read MoreA Conversation with Gina Ochsner
By Interview Issue 72
Gina Ochsner is the author of the short story collections The Necessary Grace to Fall (Georgia) and People I Wanted to Be (Mariner), as well as a novel, The Russian Dreambook of Color and Flight (Portobello/Houghton-Mifflin-Harcourt). Her awards include the Flannery O’Connor Award, Oregon Book Award, Pacific Northwest Booksellers Award, and fellowships from the National…
Read MoreA Conversation with Julia Spicher Kasdorf
By Interview Issue 79
Julia Spicher Kasdorf is the author of three poetry collections—Sleeping Preacher (1992), Eve’s Striptease (1998), and Poetry in America (2011)—all from the University of Pittsburgh Press. Sleeping Preacher won the Agnes Lynch Starrett Poetry Prize and the Great Lakes College’s Association Award for New Writing, and Eve’s Striptease was named one of the top twenty poetry books of 1998 by Library Journal. She has…
Read More