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David Robinson
David Robinson’s precarious sculptures confront us with the human figure in extremis. Carrying heavy loads, suspended in mid-air, wobbling along beams, pulling themselves over obstacles, desperate not to fall, his sinewy bronze nudes serve to remind us of our own contingency.
Learn More | See All Featured Image Artists
Read interviews with David Bazan, Scott Russell Sanders, Terry Tempest Williams, Alice McDermott, and more...
The Myth of Independent Film
Craig Detweiler’s journey collaborating with his long lost college roommate to make a documentary about the line that divides faith and doubt.
The Cloud of Unknowing
Kevin Honold ponders probation and frames his existence through migration and the words of an anonymous fourteenth century English priest.
Love Letters
Lee Isaac Chung on Hollywood’s American dream as seen through the eyes of Korean immigrants.
On Becoming Divine
Kim Peavey on seminary, service, and being asked for the words to “Amazing Grace.”
Into Deep Waters
Laura Bramon Good frames her musings on the body through pregnancy and her aging grandmother.
Read essays on Kurt Vonnegut the Christ-loving atheist, Nick Cave’s enchanted world, and more...
The Glen Workshop, a program of Image, began in 1995 as an innovative event combining the best elements of a workshop, an arts festival, and a spiritual retreat.
Special Topics
Film
Road films. Horror films. Films on marriage. Divine comedies. We love movies. Do you? We’ve got you covered.
Why Believe in God?
We put it to a group of writers, artists, filmmakers, and musicians: At a time in human history when religious faith is called not only out-of-date but malignant, why do you believe?
Editorials
“Not since O’Connor’s Mystery and Manners has there been such bracing insight on the pile-up where art and faith collide.”
—Annie Dillard
The Landscape of Art & Faith
What is the contemporary literary climate like for writers of faith? How will they fare in the future?
The Word-Soaked World: Troubling the Lexicon of Art & Faith
This collection of short essays demonstrates the push-pull relationship believing artists have with words: We are in pursuit of a God who is revealed through the poetry of the oldest Psalms, but whose true name is impossible to pronounce.