Plowboy’s Bible
By Poetry Issue 89
A poor printing, eye blight, a spine of straw, the threshed and winnowed word, heaven unhusked, a kind of seed unpacked, conspicuous fantail, fishy contraband, rendered law, thunder’s ragged hymnal, bottomless wineskin warped from deluge and drying with the hay, frozen, frostbit, thawed and sighing like the heart, prodigal returned, a glass- bottomed boat, God…
Read MoreSecular Scriptures
By Essay Issue 46
ANY NEW book about the relationship between the Bible and literature enters a crowded field, one strewn with masterworks by the likes of Robert Alter, Frank Kermode, Northrop Frye, and Gabriel Josipovici. So the bar is set high. Nicholas Boyle’s Sacred and Secular Scriptures: A Catholic Approach to Literature (reviewed in this issue) clears that…
Read MoreVerdigris
By Poetry Issue 73
Not green as new weeds or crushed juniper, but a toxic and unearthly green, meet for inking angel wings, made from copper sheets treated with vapors of wine or vinegar, left to oxidize for the calligrapher. When it’s done, he’ll cover calfskin with a fleet of knotted beasts in caustic green that eats the page…
Read MoreThe Revolt Against Narcissus
By Essay Issue 54
IN A SCENE from book 4 of Milton’s Paradise Lost, Adam and Eve talk one evening of the glories of Eden and their unmerited free creation by God, unaware that they are being watched by Satan. This little scene takes place shortly after Satan’s shape-shifting arrival in Eden and serves as a kind of foreshadowing…
Read MoreA Conversation with Eugene Peterson
By Interview Issue 62
Eugene Peterson is a pastor and author of more than thirty books, including A Long Obedience in the Same Direction, The Contemplative Pastor, and Eat This Book: A Conversation in the Art of Spiritual Reading, one in a multi-volume series of book-length “conversations” in spiritual theology. He has also written a bestselling Bible translation, The…
Read MoreWeb Exclusive: A Reader Interview with Linford Detweiler
By Interview Issue 75
A big thanks to one-half of Over the Rhine, the pianist, bassist, and songwriter Linford Detweiler, for participating in our reader interview–and to our Imagereaders for their thoughtful, funny, and off-the-wall questions. You can read the jumping-off point for this interview, Linford’s reflection on the word human from issue 75, here. What was your first thought when you sat down…
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