Hiroshima Mon Amour
By Essay Issue 93
Alain Resnais (1959) The word became flesh—and then through theologians it became words again. SO SAID KARL BARTH, one of the great theologians of the twentieth century. Something similar can be said of films—scriptwriting becomes cinema, then through essayists it becomes writing again. And so here I am, a filmmaker, writing about films which I…
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