More on: Japan

It almost takes a supernatural power to insist on existing, belonging, and mattering as an embodied presence when you are an outsider.

Van Gessel has been Shūsaku Endō’s primary English translator since the 1970s. He has translated eight of his novels and worked as a consultant on Martin Scorsese’s adaptation of Silence. We asked him about the previously untranslated Endō story in Image issue 92, and about what Endō’s work has to say to the West. Can…

UNTIL LAST YEAR, I worked in a small apartment on Nampeidai in Shibuya. In actuality, the apartment was not on Nampeidai proper, but was located away from the main street and all its spacious mansions, and thus the deposit and the rent were not so very expensive. Of the apartment’s two rooms, I used one…

I ARRIVED AT THE ADVANCED screening of Martin Scorsese’s new film, Silence, in the worst possible frame of mind. I was running late, and I was starving. My only option for getting food in time was a fancy burger joint near the multiplex. After ordering a mega-burger and fries, I fidgeted at the table, waiting…

John Kohan’s calling to sacred art began early: “Sacred art has been a lifelong preoccupation, judging from the earliest sketch of mine my mother saved. It is a pencil illustration of Jesus’ parable of “The Sower and the Seed”…drawn when I was a child of six or so.” Since age six, John has worked as…

Sadao Watanabe (1913–96) was a printmaker celebrated internationally for his depictions of biblical subjects using traditional Japanese techniques. A longer version of this essay will appear in Beauty Given by Grace: The Biblical Prints of Sadao Watanabe, published by Square Halo Books in conjunction with a traveling exhibit sponsored by Christians in the Visual Arts.…