More on: poetry

Nehemiah is pacing the streets at first light examining the builders’ progress and picturing the work that lies ahead. He then gets out of bed, puts on his clothes, and leaves the house to pace the streets, gravely nodding in greeting at the first workmen as they begin to appear; he pauses, suppressing a smile,…

Each day I woke as it started to get dark, and the pain came. Month after month of this—who knows when I got well. With dawn, now, waking from the rampage of sleep, I am walking in the Lincoln woods. A single bird is loudly singing. And I walk here as I always have, as…

Already, like a disciplined scholar, I piece fragments together, past conjecture, Establishing true sequences of pain; For so it is proper to find value In a bleak skill, as in the thing restored: The long-lost words of choice and valediction. ————————————-— Geoffrey Hill, “The Songbook of Sebastian Arrurruz, I” Oxford University has a new Professor…

The current issue of Image features three new poems by Scott Cairns. The author of numerous volumes of poetry, a convert to Orthodox Christianity, and a longtime contributor to Image, Scott has often advocated what he calls a “sacramental poetics”—the idea that a poem should not so much describe something as dosomething.   Image: Your poems use an exacting, prophetic voice, but…

Now the lone swan dips groundward and her wings beat more slowly, the scrape of oak limbs wicking the air beneath her breast, the arms of oaks open and out, a narrow hall between their reaching (this the route through which the trees’ separateness wavers and grows tense). She is a clutter of feather, vision,…

Gethsemane’s sleepers, be with me If I sleep. Hypnopomps to the cock’s crow, To the olive grove’s Dawnshadows’ undergnarl. Skull-place, tricrossed, two-thieved hill, Over- Hang me if I wake.   † The bed-world Is the total part, Unrememberable mnemonics Muttered through the dream (Now I lay me, Tarry here awhile— Now I lay me Down—tarry…

That evening she painted her nails metallic rose, placed the opal on her finger, and walked down the block to a party in the moss garden. A friend held her hand, getting involved with the milky luminescence of the ring. Before long he was telling her how his uncle loved to float down the river…

Bernadette walked from the kitchen singing “Hold On,” that song with a rising refrain. Her voice strong, she looked at each of us in turn: the woman with a bullet lodged in her head, one with a daughter dead a year, another whose unexplained anger flew loose daily. And me, the visitor trying to come…

When I board the Manhattan-bound A train in Brooklyn, it is already crowded with commuters on their way home, faces bearing traces of the day—the downward lines of weariness, mostly, the sour pinch of frustration, sometimes the surprise of a smile or the clear signs of content: cheeks at peace, eyes that gaze with interest…

There’s a church where I sit on my lunch hour when the silence within me cries out for its counterbalance without—the only sounds the clinks and clanks of old radiators working in winter and birds nesting up in the buttresses in spring, the mediated mumble of traffic and the echoing feet of those who come…