The Offices
By Poetry Issue 75
Whether we have slept through Matins’ dream offices or lain awake, we rise to a morning bell we do not call Lauds, and not calling it ablution, we, for the day’s offices, flush dust and dead skin from our many creases. On the highway and through the parking garage to a computer pinging with the…
Read MoreOrpheus in the Garden
By Poetry Issue 75
In the garden of the Hesperides, where the golden apples grew, Orpheus caressed strings that out-sang the sirens, charmed hell, and softened the heart of Death. The hills crept close to listen, and marvelous trees, full of dumbstruck birds, bent toward him. —————The great crowd too bent forward, tense. Keepers stabbed torches into the starved…
Read MoreThe Three Kings
By Short Story Issue 75
Balthazar KING Balthazar loved the freshness of his gardens and smiled to see the reflection of his ebony face in the clear water of the tanks. And he loved the joyfulness, the commotion, and the abundance of banquets, and often his parties lasted till daybreak. However, late one night, after all the guests had withdrawn,…
Read MoreA Conversation with Christian Wiman
By Interview Issue 76
“Courage, I think, inheres in the ability to realize that there is nothing singular in your own sufferings, that if they have value it is in the bedrock truth they enable you to fitfully glimpse and hopefully convey. This is as true for the truck driver or lawyer as it is for the poet.”
Read MoreLanguage and the Act of Faith
By Essay Issue 75
This issue includes a special section on language that begins on page 35. For writers and artists concerned with faith, words, though slippery, can be like the air we breathe and the water we swim in: the medium that allows for conversation, makes our common life possible, and shapes all our experiences—even, as the distinguished…
Read MoreDeath Room, Fort Scott, 1949
By Poetry Issue 76
after a photograph by Gordon Parks Of all his portraits of elderlies waiting on the mercy of their Master, this is most bitter by far once our mind pans away from some few pleasant, long ago moments we fancy the wallpaper’s many morning glories having seen, and down to our penultimate mystery captured by values…
Read MoreEl Cristo de Piedra
By Poetry Issue 76
Valle de Viñales, Cuba, 2002 In this valley where limestone hills jut out like hairy moles over furrows of tobacco, a rock-face Christ sprawls on a skew cross, as if a child had taken loose chert to etch his fanged mouth, stick legs, twigged fingers. I touch gouged eyes that weep candle wax, caress his…
Read MoreReflection upon Psalm 121
By Poetry Issue 76
I will lift up mine eyes unto the hills. I think of that line again as blossoms blow with rain. Beyond the orchard someone sings. Birds cant their heads to ask if this is the tree they remember, if the refugee finds refuge, truly. Steam rises off the pond; or is it a cordite fog,…
Read MoreFriend
By Poetry Issue 76
The Psalmist said, “Lord, how shall I not call thy name?” The hills were green with his wonder and the birds flew filled with singing, so he sang, “Lord, how shall I not know thee upon the mountain when thy sheep are the great stars of heaven, thy horn the sun and moon, and all…
Read MoreWeb Exclusive: A Conversation with Steve Prince
By Interview Issue 78
The art of Steve Prince is explored in an essay by Beth McCoy in Image issue 78. Prince, a New Orleans native, works primarily in printmaking and drawing. His richly textured images are steeped in religious and visual culture; critic D. Eric Bookhardt characterizes their metaphorical power as “an ability to elucidate inexplicable worlds within…
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