Web Exclusive: A Conversation with Charles Pickstone
By Essay Issue 69
British artist Chris Ofili has long been a source of controversy. His detractors have included the mayor of New York as well as a man who threw white paint on one of his pieces at the Brooklyn Museum (the famous Virgin Mary piece with elephant dung). But despite the bombast and apparent sacrilege, Ofili’s work…
Read MoreErotic Theology
By Book Review Issue 69
Poetic Theology: God and the Poetics of Everyday Life William A. Dyrness Eerdmans, 2011 CONTEMPORARY theology is a lot of things, but poetic it is not. Quite the contrary: long captivated by the supposed rigor of a flattened rationalism, and saddled with a desire for intellectual respectability, theology speaks in the jargon-laden tongue of the…
Read MoreInto Deep Waters
By Essay Issue 69
ONE SUMMER at the lake house, I forgot my swimming suit and found one of my grandmother’s—an old, plastic mold of a suit, perhaps unworn for twenty years—hanging like a replica of her younger body in the upstairs cedar closet. The suit smelled green and sweet, like the lake. When I pulled it onto my…
Read MoreA Cinema of Solidarity: Women, Film, and Islam
By Essay Issue 69
IN MAY 2001 I found myself at the Cannes Film Festival on a six-member ecumenical jury. Every year the festival hosts other accredited juries besides the star-studded official one, and since 1974 an ecumenical jury made up of Catholics and Protestants has given awards to films in Cannes’s competitive selection. Dutifully we attended all the…
Read MoreOn Becoming Divine
By Essay Issue 69
On Becoming Divine: Within Theological School, and Without I HAVE NEVER BEEN smote on the head, or anywhere else, for that matter, with religious conviction. Yet, after years of milking cows, traveling, graduate study in poetry, teaching college writing, shoveling horse manure, and stints as a researcher and writer, I found myself applying to theological…
Read MoreWriting with So Great a Cloud of Witnesses
By Essay Issue 69
LAST MONTH MY BEST FRIEND, Jeff Deal, and I made a road trip from Charleston, South Carolina, to Fort Campbell, Kentucky, to visit my older son Zebulun, a cavalry scout with the 101st Airborne. Jeff’s son Russell is in the army as well, our two boys having made a pact while they were undergrads…
Read MoreParadox of Flesh: The Art of Chris Ofili
By Essay Issue 69
THE WORK OF British-born artist Chris Ofili, Turner Prize–winner in 1996 and 2003 British representative at the Venice Biennale, poses a particular challenge. Almost every review of his major 2010 retrospective at London’s Tate Britain alluded to the “spirituality” of the work of this former altar boy; the artist himself often gives religious titles to…
Read MoreMarc Quinn: The Matter of Life and Death
By Essay Issue 69
IN 2009, BRITAIN’S NATIONAL Portrait Gallery acquired Self by Marc Quinn. The museum’s press release described the work as “unconventional, innovative, and challenging.” That is an understatement. Self is made of eight pints of Quinn’s own blood, approximately the amount in an adult male body. It was extracted over a period of a year, then…
Read MoreA Conversation with Marilyn Nelson
By Interview Issue 69
The daughter of a Tuskegee Airman and a teacher, Marilyn Nelson was brought up primarily on military bases and started writing while still in elementary school. She earned her BA from the University of California, Davis, and holds postgraduate degrees from the University of Pennsylvania (MA, 1970) and the University of Minnesota (PhD, 1979). Her…
Read MoreFishguard Harbour
By Poetry Issue 69
There is a moment prayer occurs to the conscious mind, or rather the absence of prayer in the moment of need hitherto. Experience names the vacuum it has been seized by, only the mouth— the physical fact of the mouth, sensuous, capable of beauty or deceit— can’t form the words the ventral thalamus is telegraphing.…
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