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Good Letters

This post was made possible through the support of a grant from The BioLogos Foundation’s Evolution and Christian Faith program. The opinions expressed are those of the author and do not necessarily reflect the views of BioLogos.

Loren EiseleyLoren Eiseley was born in 1907. He died in 1977. For many years and until his death, he was the Benjamin Franklin Professor of Anthropology and History of Science at the University of Pennsylvania. A scientist, he was particularly interested in the study of the origins of human kind.

Eiseley was also a writer and a poet. He was a dreamer and something of a philosopher, too. Some called him a freak. Ray Bradbury once said of Eiseley that he was, “every writer’s writer and every human’s human.”

The poet W. H. Auden was a great admirer of Eiseley. Auden wrote the introduction to a collection of Eiseley’s writings called The Star Thrower. In that introduction Auden, like Bradbury, brought up the fact of Eiseley’s being a “human’s human.”

“Dr. Eiseley,” Auden wrote, “happens to be an archeologist, an anthropologist, and a naturalist, but, if I have understood him rightly, the first point he wishes to make is that in order to be a scientist, an artist, a doctor, a lawyer, or what-have-you, one has first to be a human being.”

A human being must live in the world first, even as he or she tries to understand it. Scientists, for instance, do not get to do their science from outside the context of being human beings. They look at the world from within that world.

Eiseley read Charles Darwin from that perspective. He saw in Darwin a similar kind of searching mind. He saw a person attuned to the strange experience of being alive on planet earth. Eiseley wrote about this aspect of Darwin in an essay called, “Science and the Sense of the Holy.”

Eiseley notes the following passage from one of Darwin’s journals as a young man:

If we choose to let conjecture run wild, then animals, our fellow brethren in pain, disease, suffering and famine—our slaves in the most laborious works, our companions in our amusement—they may partake of our origin in one common ancestor—we may be all netted together.

Thinking about this passage, Eiseley made the following claim about Darwin:

Darwin’s…comment that we may all be netted together in one gigantic mode of experience, that we are in a mystic sense one single diffuse animal, subject to joy and suffering beyond what we endure as individuals, reveals a youth drawn to the world of nature by far more than just the curiosity to be readily satisfied by the knife or the scalpel.

The thought that we seek more in observing nature than can be readily satisfied by the knife or the scalpel brings to mind Wordsworth’s famous poem, “The Tables Turned.” That poem includes the oft-repeated line, “we murder to dissect.”

Sweet is the lore which Nature brings;
Our meddling intellect
Mis-shapes the beauteous forms of things:—
We murder to dissect.

Auden and Eiseley would agree with this sentiment. According to Eiseley, Darwin would agree as well. There is a right way to interrogate nature and there is a wrong way. You are on the wrong track when you end up murdering to dissect. You are on the wrong road when you step out of your own creatureliness, your own status as an animal, suffering with the other groping and grasping creatures mucking about in Earth’s mud.

But if you have the feeling that all animals, all living things, have a common ancestor, that we are all “netted together,” as Darwin put it, then you come to your scientific work with a much different sensibility than the person who blithely wields the knife or the scalpel. You’ll be less inclined to “murder to dissect” because you’ll feel a sense of kinship with what you’re murdering.

Another way to say this, according to Eiseley, is that everyone—singer or scientist—has a “sense of the holy.” The more you develop your sense of the holy, the more you are actually in tune with what it means to be a human being. And the more you are attuned to being human, the more you are attuned to every other living creature too.

As Eiseley saw it, Charles Darwin was very much possessed of a “sense of the holy”:

It was not the tough-minded, logical inductionists of the early nineteenth century who in a deliberate distortion of Baconian philosophy solved the problem of evolution. Rather, it was what Darwin chose to call “speculative” men, men, in other words, with just a touch of the numinous in their eye, a sense of marvel, a glimpse of what was happening behind the visible, who saw the whole of the living world as though turning in a child’s kaleidoscope.

This goes much further than the claim—bandied about rather loosely these days—that scientists like “wonder” too, or that people who study evolution also enjoy flowers. Eiseley is not claiming simply that Darwin had a sense of wonder. He is claiming that Darwin could see truths other scientists could not precisely because he had a touch of the numinous in his eye.

According to Eiseley, Darwin’s theory of evolution is potentially compatible with a religious sensibility because Darwin’s theory of evolution emerged directly from Darwin’s “sense of the holy.” “Ever since man first painted animals in the dark caves,” Eiseley wrote, “he has been responding to the holy, to the numinous, to the mystery of being and becoming, to what Goethe very aptly called ‘the weird portentous.’”

When we are attuned to the “weird portentous,” the mystery of being and becoming expresses itself. It may do so in a painting or a poem or a prayer. Or, it may do so in a flash of insight into how living beings evolve, as it did for Charles Darwin.


Join in the conversation about evolution and Christian faith by visiting the BioLogos symposium at Patheos. Click here for more on Image’s BioLogos colloquy.

The Image archive is supported in part by an award from the National Endowment for the Arts.

Written by: Morgan Meis

Morgan Meis is the critic-at-large for The Smart Set ( He has a PhD in Philosophy and has written for n+1, The Believer, Harper’s Magazine, and The Virginia Quarterly Review. He won the Whiting Award in 2013. Morgan is also an editor at 3 Quarks Daily, and a winner of a Creative Capital | Warhol Foundation Arts Writers grant. A book of Morgan’s selected essays can be found here. He can be reached at

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