Approaching the Iceberg: Richard Meier’s Jubilee Church
By Essay Issue 66
AFTER A LONG CITY bus ride traversing the outskirts of Rome, including a few transfers and a bit of walking, I arrived just in time to hear the churchyard gate clang shut. This was no simple clicking of a latch, but a resounding, ringing crash—not the kind of sound that left any doubt as to whether…
Read MoreThe Reading Wars
By Essay Issue 67
IT’S 103 DEGREES in Lincoln, Nebraska, and my mother is sitting at the kitchen table, twisting the elastic steel band of my father’s big watch around her wrist. She is paging through a book as massive as the New York telephone directory. It contains all of Shakespeare’s plays. The letters are the size of midges,…
Read MoreOn Brotherhood and Crucifixion
By Essay Issue 67
Black Cross, New Mexico, 1929 (Georgia O’Keeffe) Twin of the one in my mind, this cross is uneven—blooms like the trunk of a heavy woman, its underside bright as sunset, and under it, O’Keeffe’s hills—like looking at two miles of gray elephants, she said once—a sort of bed where no cross lies down. The…
Read MoreThe Exiles: Finding the Story
By Essay Issue 67
A HALF CENTURY AGO I was standing in a skid row bar wondering what role I was playing. The bar was called, almost mockingly, the Ritz, and we were making a film, but the role I pondered wasn’t an acting part, and it was more than a question of what function I had at the moment.…
Read MoreWho’s Afraid of Geoffrey Hill
By Essay Issue 66
Already, like a disciplined scholar, I piece fragments together, past conjecture, Establishing true sequences of pain; For so it is proper to find value In a bleak skill, as in the thing restored: The long-lost words of choice and valediction. ————————————-— Geoffrey Hill, “The Songbook of Sebastian Arrurruz, I” Oxford University has a new Professor…
Read MoreWine for Those Who Faint
By Essay Issue 68
I DECIDED that if I was going to read the Hebrew Bible, I was going to read the whole thing. Every word of it. No skipping over or skimming the genealogies, the instructions for building the temple, or the details of animal sacrifice. I bopped through the intricate plots of Genesis and Exodus, my rule…
Read MoreConversion
By Essay Issue 68
MY FIRST CONVERSION took place when I was five years old on a heaven-reaching swing in my cousin’s back yard. It was a bright summer day and we had just returned from vacation Bible school at the Baptist church. Red cherry Kool-Aid stained our lips. Kristy was giving me an underdog—and I was swinging high enough…
Read MoreSeeing Through the Darkness: Georges Rouault’s Vision of Christ
By Essay Issue 67
A number of recent events suggest a revival of interest in the work of Georges Rouault is underway. Three in particular are worth noting: In 2008 a major exhibition, Mystic Masque, curated by Stephen Schloesser, was held at the McMullen Museum of Art at Boston College; a year later a joint exhibition of work by…
Read MoreInherited but Never Inhabited
By Essay Issue 68
Inherited but Never Inhabited Story and the Garden MY GRANDMOTHER MARY ALICE kept her big, tissue-paged Bible beside her party-line telephone and flipped through it, reading here and there, as she listened in on the stories being told along the Edmond Road. Even now, many of my kin keep Bibles by them the way…
Read MoreRecognizing the Stranger: The Art of Emmanuel Garibay
By Essay Issue 68
ART MAY BE CONCERNED with the creative manipulation of images, but words are always part of the picture. When we encounter a work of art, a load of labels and captions, categories and explanations always works to help or hinder our better understanding. Some are printed on the wall beside the work; others we carry inside…
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