A Web Exclusive Interview with Jeremy Begbie
By Interview Issue 64
In Image issue 64, theologian Jeremy Begbie reviews books by James Elkins and Daniel Siedell on the often-uneasy relationship between religion and contemporary art. We asked him about his emphasis on church tradition, and why deep commitment always beats neutrality. Image: In the current issue of Image you review two books on the visual…
Read MoreA Conversation with Les Murray
By Interview Issue 64
In 2007, Dan Chiasson wrote in the New Yorker that Australian poet Les Murray is “now routinely mentioned among the three or four leading English-language poets.” His awards include the Grace Leven Prize, the Kenneth Slessor Prize, the Petrarch Prize, and the prestigious T.S. Eliot Award. In 1999 he was awarded the Queens Gold Medal…
Read MoreA Conversation with Tim Gautreaux
By Interview Issue 63
Tim Gautreaux was born in Morgan City, Louisiana, in 1947. He attended Nicholls State University and the University of South Carolina, where he earned a PhD in English literature. In 1972 he began teaching creative writing at Southeastern Louisiana University, where he directed the creative writing program until his retirement in 2003. His books…
Read MoreWeb Exclusive: Translators on Translation
By Interview Issue 65
The International Issue (#65) includes poetry in translation from Russian, Latvian, Romanian, Spanish, Italian, and Portuguese. We asked the translators who contributed work to the issue about how they see their art: What’s the value of reading poetry in translation? That is, if we’re not really hearing the sounds and rhythms of the poet’s original…
Read MoreA Conversation with Chimamanda Ngozi Adichie
By Interview Issue 65
Born in Nigeria in 1977, Chimamanda Ngozi Adichie grew up in the university town of Nsukka, living for a time in a house once occupied by Chinua Achebe. After briefly studying medicine and pharmacy at the University of Nigeria, Adichie moved to the United States to attend college, graduating summa cum laude from Eastern Connecticut…
Read MoreA Conversation with Daniel Enrique García
By Interview Issue 65
Neighbors, Strangers, Family, Friends Four Artists Reflect on Charis The traveling art exhibition Charis—Boundary Crossings: Neighbors Strangers Family Friends features work by seven Asian and seven North American artists. The show grew out of a two-week seminar in Indonesia sponsored by Calvin College’s Nagel Institute for the Study of World Christianity and the Council for…
Read MoreA Conversation with Emmanuel Garibay
By Interview Issue 65
Neighbors, Strangers, Family, Friends Four Artists Reflect on Charis The traveling art exhibition Charis—Boundary Crossings: Neighbors Strangers Family Friends features work by seven Asian and seven North American artists. The show grew out of a two-week seminar in Indonesia sponsored by Calvin College’s Nagel Institute for the Study of World Christianity and the Council for…
Read MoreAn Interview with William Dyrness
By Interview Issue 67
William Dyrness is a professor of theology and culture at Fuller Theological Seminary. His latest book is Poetic Theology (Eerdmans). He was Image’s Artist of the Month in June 2001. Image issue 67 features his essay on the vision of Christ in the paintings of Georges Rouault. We asked Dyrness why he is so drawn…
Read MoreWeb Exclusive: A Conversation with Kathy T. Hettinga
By Interview Issue 66
Kathy Hettinga has received many awards and honors for her artwork, including an Indiana Arts Fellowship, a Research Fellowship at The Institute of Sacred Music, Worship, and the Arts at Yale University, and the very first Scholar Chair from Messiah University. Her work is in the permanent collections of UCLA, the Armand Hammer Museum, the…
Read MoreA Conversation with Gregory Orr
By Interview Issue 66
Gregory Orr is the author of ten books of poetry, most recently Concerning the Book that Is the Body of the Beloved and How Beautiful the Beloved (both from Copper Canyon). Long known for his condensed and crafted style, in his recent work, Orr demonstrates a shift toward the personal lyric at its most stripped-down,…
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