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Fully Human

By Gregory Wolfe Essay

LAST NIGHT I watched—mesmerized, despite its near three-hour length—Andrei Tarkovsky’s film Stalker, a minimalist science fiction epic set in a dreary, bombed-out industrial wasteland. The title does not derive from the contemporary connotation of sexual predator, but goes back to the sort of guide who leads hunters to where game can be found. In fact,…

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