Some Questions about Politics and the Imagination
By Essay Issue 89
Q WOULD YOU MIND if I asked you some questions about the current political situation, given the upcoming presidential election and turmoil in Europe? A. I do mind, as a matter of fact. I have nothing to say about such matters. They’re far too complex. Not to mention depressing. And crazy-making. Besides, I left politics behind…
Read MoreIntruding Upon the Timeless
By Essay Issue 1
St. Thomas called art “reason in making.” This is a very cold and very beautiful definition, and if it is unpopular today, this is because reason has lost ground among us. As grace and nature have been separated, so imagination and reason have been separated, and this always means an end to art. The artist…
Read MoreScreening Mystery
By Essay Issue 20
FOR nearly a generation in Hollywood, a gulf has existed between the secular and religious perspectives. It is a rift that appeared in the sixties for many reasons, not least as an expression of a cultural rebellion which was arguably both liberating and destructive. But one result was the lamentable loss on screen of an…
Read MoreYankee Immigrants Convert
By Essay Issue 24
IN its December 1977 issue, when Jimmy Carter’s presidency made national media rediscover the South, Esquire magazine published Walker Percy’s non-interview with himself, entitled “Questions They Never Asked Me So He Asked Them Himself.” Chiefly, he grumbled about pesky interviewers who kept asking him over and over again what he thought of the South, of…
Read MoreMending the Broken Estate
By Essay Issue 36
JAMES Wood is a literary critic to die for. Earnest, passionate, and erudite, Wood’s lucid, distinctive voice has cut a wide swathe through what often seem like the mutterings and tergiversations of contemporary literary discourse. Still in his thirties, this British expatriate is now the in-house critic at The New Republic and his first collection…
Read MoreThe Painter of Lite™
By Essay Issue 34
LAST night, after the kids’ final day of school and a hard slog at work, our family sat down to watch Jurassic Park III, the kind of movie we call E.T. (“entertaining trash”). Like most Hollywood sequels the film is full of recycled scenes—mainly dinosaurs energetically masticating just about any piece of flesh that comes…
Read MoreWhich I is I?
By Book Review Issue 82
Three Poetry Collections Idiot Psalms by Scott Cairns (Paraclete Press, 2014) Seam by Tarfia Faizullah (Southern Illinois University Press, 2013) F by Franz Wright (Alfred A. Knopf, 2013) IN THE LONG HISTORY of the poetry of religious devotion, one often encounters a guileless representation of the self in its attempts to relate to the divine. The…
Read MoreFour Corners: Painters Frame Contemporary Painting
By Essay Issue 60
Painting has died and been resurrected several times in recent decades. Challenged by theory-laden conversations about art’s “post-medium” condition and a welter of deconstructionist propositions, painting seems nevertheless to have thrived in the face of adversity. Some would say it remains as manifold and imaginative as ever. In order to take its pulse, Image asked…
Read MoreGod’s Truth Is Life
By Essay Issue 60
WHEN I WAS TWENTY years old I spent an afternoon with Howard Nemerov. He was the first “famous” poet I had ever met, though I would later learn that he was deeply embittered by what he perceived to be a lack of respect from critics and other poets. (I once heard Thom Gunn call him…
Read MoreDesire and Longing: Image Artists after Twenty Years
By Essay Issue 60
GREG WOLFE, Image founder, editor, publisher—and as I occasionally like to tease, indefatigable empire builder—has written many provocative essays. One of my favorites is “The Christian Writer in a Fragmented Culture,” which appeared in issue 7 in 1994. In the beginning of the essay, Greg muses on the dilemma of publishing a journal highlighting the intersection of…
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