Juxtapositions
By Essay Issue 65
Neighbors, Strangers, Family, Friends Four Artists Reflect on Charis The traveling art exhibition Charis—Boundary Crossings: Neighbors Strangers Family Friends features work by seven Asian and seven North American artists. The show grew out of a two-week seminar in Indonesia sponsored by Calvin College’s Nagel Institute for the Study of World Christianity and the Council for…
Read MoreA Conversation with Emmanuel Garibay
By Interview Issue 65
Neighbors, Strangers, Family, Friends Four Artists Reflect on Charis The traveling art exhibition Charis—Boundary Crossings: Neighbors Strangers Family Friends features work by seven Asian and seven North American artists. The show grew out of a two-week seminar in Indonesia sponsored by Calvin College’s Nagel Institute for the Study of World Christianity and the Council for…
Read MoreLet’s (Try To) Harmonize
By Essay Issue 65
Neighbors, Strangers, Family, Friends Four Artists Reflect on Charis The traveling art exhibition Charis—Boundary Crossings: Neighbors Strangers Family Friends features work by seven Asian and seven North American artists. The show grew out of a two-week seminar in Indonesia sponsored by Calvin College’s Nagel Institute for the Study of World Christianity and the Council for…
Read MoreDancing to Strange Music: Diversity and Faith in the Visual Arts
By Essay Issue 65
We played the flute for you and you did not dance…. ——————————————–—Matthew 11:17 IN HIS INTRODUCTION to a collection of medieval Welsh tales, the late John Updike describes his reaction: we feel in reading these stories, he says, “as if we are dancing with a partner who hears a distinctly different music.” The Charis exhibit—an…
Read MoreThe Thread that Weaves Life Together: Crossing Boundaries with the Charis Exhibition
By Essay Issue 65
THE YEAR 1992 marked the release of a film that challenged all conventional notions of filmmaking—and that nevertheless received nearly universal critical acclaim, much to the surprise of its makers. That film was Baraka. Filmed at 152 locations in twenty-four countries on six continents with no narrative or dialogue, Baraka was described as “a guided…
Read MoreBecoming the Other
By Essay Issue 65
IN THE FIRST DAYS of May, 1610, the renowned Confucian scholar Li Madou lay dying in his home in Beijing. Hundreds of the leading citizens of the Chinese capital came to pay their respects to the man whose books on ethics, mathematics, friendship, and the mysteries of life and death had been read and circulated…
Read MoreRecognizing the Stranger: The Art of Emmanuel Garibay
By Essay Issue 68
ART MAY BE CONCERNED with the creative manipulation of images, but words are always part of the picture. When we encounter a work of art, a load of labels and captions, categories and explanations always works to help or hinder our better understanding. Some are printed on the wall beside the work; others we carry inside…
Read MoreThe Bar Mitzvah
By Poetry Issue 69
_____The row of goyim, that’s us, family of half the family, those who don’t talk of Israel at dinner, here because of fate, because of the strangeness of our children, because of this grandchild in his tallis, his kippot, words we read the leaflet to know. We watch the Torah lifted from its rainbow tomb,…
Read MoreForm
By Essay Issue 75
The Word-Soaked World Troubling the Lexicon of Art and Faith Since 1989, Image has hosted a conversation at the nexus of art and faith among writers and artists in all forms. As the conversation has evolved, certain words have cropped up again and again: Beauty. Mystery. Presence. For this issue, we invited a handful of…
Read MoreArt
By Essay Issue 75
The Word-Soaked World Troubling the Lexicon of Art and Faith Since 1989, Image has hosted a conversation at the nexus of art and faith among writers and artists in all forms. As the conversation has evolved, certain words have cropped up again and again: Beauty. Mystery. Presence. For this issue, we invited a handful of…
Read More