Scordatura
By Essay Issue 62
Upon Listening to Biber’s Rosary Sonatas Scordatura: Abnormal tuning of a stringed instrument in order to obtain unusual chords, facilitate difficult passages, or change the tone color. —Harvard Dictionary of Music, second edition ALTHOUGH I AM a piano tuner who used to play a violin, I would not dream of referring to the violin as…
Read MoreThe Superhero and His People
By Essay Issue 63
I want a hero: an uncommon want, When every year and month sends forth a new one, Till, after cloying the gazettes with cant, The age discovers he is not the true one ——————Lord Byron, Don Juan, Canto the First A SUPERHERO MOVIE is foremost an entertainment, often kitschy, sometimes trashy, but regardless, it is…
Read MoreWhy Sacred Music Endures
By Essay Issue 63
The following lecture was originally delivered in London in October 2008, marking the thirtieth anniversary of the Sandford St. Martin Trust, which promotes excellence in religious media programming in the U.K. It was later broadcast on BBC Radio. HISTORY HAS an annoying habit of sneaking up and mugging the certain and the convinced. In European…
Read MoreA Private Letter
By Essay Issue 63
A Private Letter A Poet on Writing for Composers NOT LONG AGO, I was giving a reading with another poet who has written libretti for composers. I hadn’t heard anything of his musical collaborations for a few years, and asked him if he was still working in the opera world. “I’m doing something for television,”…
Read MoreJuxtapositions
By Essay Issue 65
Neighbors, Strangers, Family, Friends Four Artists Reflect on Charis The traveling art exhibition Charis—Boundary Crossings: Neighbors Strangers Family Friends features work by seven Asian and seven North American artists. The show grew out of a two-week seminar in Indonesia sponsored by Calvin College’s Nagel Institute for the Study of World Christianity and the Council for…
Read MoreDancing to Strange Music: Diversity and Faith in the Visual Arts
By Essay Issue 65
We played the flute for you and you did not dance…. ——————————————–—Matthew 11:17 IN HIS INTRODUCTION to a collection of medieval Welsh tales, the late John Updike describes his reaction: we feel in reading these stories, he says, “as if we are dancing with a partner who hears a distinctly different music.” The Charis exhibit—an…
Read MoreThe Reading Wars
By Essay Issue 67
IT’S 103 DEGREES in Lincoln, Nebraska, and my mother is sitting at the kitchen table, twisting the elastic steel band of my father’s big watch around her wrist. She is paging through a book as massive as the New York telephone directory. It contains all of Shakespeare’s plays. The letters are the size of midges,…
Read MoreWine for Those Who Faint
By Essay Issue 68
I DECIDED that if I was going to read the Hebrew Bible, I was going to read the whole thing. Every word of it. No skipping over or skimming the genealogies, the instructions for building the temple, or the details of animal sacrifice. I bopped through the intricate plots of Genesis and Exodus, my rule…
Read MoreConversion
By Essay Issue 68
MY FIRST CONVERSION took place when I was five years old on a heaven-reaching swing in my cousin’s back yard. It was a bright summer day and we had just returned from vacation Bible school at the Baptist church. Red cherry Kool-Aid stained our lips. Kristy was giving me an underdog—and I was swinging high enough…
Read MoreInherited but Never Inhabited
By Essay Issue 68
Inherited but Never Inhabited Story and the Garden MY GRANDMOTHER MARY ALICE kept her big, tissue-paged Bible beside her party-line telephone and flipped through it, reading here and there, as she listened in on the stories being told along the Edmond Road. Even now, many of my kin keep Bibles by them the way…
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