More on: evolution

Why Believe in God? Over the past few years, the Image staff contemplated assembling a symposium based on this simple problem. But we hesitated. Should we pose such a disarmingly straightforward question to artists and writers, who tend to shun the explicit and the rational? Or were we hesitating because the question itself made us…

An expert from First Baptist Church in coat and tie came with our class to the Natural History Museum to lead the second grade past the error-filled placards on the walls of the Prehistoric Hall, so we could in innocence admire the skeletons of God’s magnificent extinct creation. I hung back as the class clambered…

Artist Natalie Settles, featured in Image issue 85, has long been fascinated by the biological sciences. She makes drawings and installation art that mix highly detailed botanical and zoological imagery with highly stylized forms, like Victorian decorative motifs. Her installation works are interactive; they use a gallery space to create an ecosystem in which the viewer…

Darwin’s Century: Evolution and the Men Who Discovered It by Loren Eiseley (Doubleday, 1958) Science and Faith: A New Introduction by John F. Haught (Paulist, 2013) Ask the Beasts: Darwin and the God of Love by Elizabeth A. Johnson (Bloomsbury, 2014) Living with Darwin: Evolution, Design, and the Future of Faith by Philip Kitcher (Oxford, 2007)  …

Reading from Two Books Nature, Scripture, and Evolution   In the Middle Ages, philosophers and theologians described nature as a book, a coherent work in which we could glimpse the mind of God. Like scripture, the book of nature bore the divine imprint—the Imago Dei—and the two books were seen as complementary. In the centuries…

Reading from Two Books: Nature, Scripture, and Evolution   In the Middle Ages, philosophers and theologians described nature as a book, a coherent work in which we could glimpse the mind of God. Like scripture, the book of nature bore the divine imprint—the Imago Dei—and the two books were seen as complementary. In the centuries…

Reading from Two Books: Nature, Scripture, and Evolution   In the Middle Ages, philosophers and theologians described nature as a book, a coherent work in which we could glimpse the mind of God. Like scripture, the book of nature bore the divine imprint—the Imago Dei—and the two books were seen as complementary. In the centuries…

Reading from Two Books: Nature, Scripture, and Evolution   In the Middle Ages, philosophers and theologians described nature as a book, a coherent work in which we could glimpse the mind of God. Like scripture, the book of nature bore the divine imprint—the Imago Dei—and the two books were seen as complementary. In the centuries…

Reading from Two Books: Nature, Scripture, and Evolution   In the Middle Ages, philosophers and theologians described nature as a book, a coherent work in which we could glimpse the mind of God. Like scripture, the book of nature bore the divine imprint—the Imago Dei—and the two books were seen as complementary. In the centuries…

Reading from Two Books: Nature, Scripture, and Evolution   In the Middle Ages, philosophers and theologians described nature as a book, a coherent work in which we could glimpse the mind of God. Like scripture, the book of nature bore the divine imprint—the Imago Dei—and the two books were seen as complementary. In the centuries…