Web Exclusive: A Conversation with Natalie Settles
By Interview Issue 85
Artist Natalie Settles, featured in Image issue 85, has long been fascinated by the biological sciences. She makes drawings and installation art that mix highly detailed botanical and zoological imagery with highly stylized forms, like Victorian decorative motifs. Her installation works are interactive; they use a gallery space to create an ecosystem in which the viewer…
Read MoreDarwin and the Problem of Time
By Book Review Issue 85
Darwin’s Century: Evolution and the Men Who Discovered It by Loren Eiseley (Doubleday, 1958) Science and Faith: A New Introduction by John F. Haught (Paulist, 2013) Ask the Beasts: Darwin and the God of Love by Elizabeth A. Johnson (Bloomsbury, 2014) Living with Darwin: Evolution, Design, and the Future of Faith by Philip Kitcher (Oxford, 2007) …
Read MoreWhere Are You?
By Essay Issue 85
HOME, I SAY. I’m on the road, I say. I’m in class. No, it’s okay. What’s the matter? It was always the first question. Where I was would determine whether I could help. Where are you?—during those early months when I would pick up. He was locked out, he was stuck in the mud, etc.…
Read MoreThe Evolving Song
By Essay Issue 85
Reading from Two Books Nature, Scripture, and Evolution In the Middle Ages, philosophers and theologians described nature as a book, a coherent work in which we could glimpse the mind of God. Like scripture, the book of nature bore the divine imprint—the Imago Dei—and the two books were seen as complementary. In the centuries…
Read MoreThe Arrow of Time
By Essay Issue 85
Reading from Two Books: Nature, Scripture, and Evolution In the Middle Ages, philosophers and theologians described nature as a book, a coherent work in which we could glimpse the mind of God. Like scripture, the book of nature bore the divine imprint—the Imago Dei—and the two books were seen as complementary. In the centuries…
Read MoreImmersed in Mystery
By Essay Issue 85
Reading from Two Books: Nature, Scripture, and Evolution In the Middle Ages, philosophers and theologians described nature as a book, a coherent work in which we could glimpse the mind of God. Like scripture, the book of nature bore the divine imprint—the Imago Dei—and the two books were seen as complementary. In the centuries…
Read MoreThe Feverfew
By Essay Issue 85
Reading from Two Books: Nature, Scripture, and Evolution In the Middle Ages, philosophers and theologians described nature as a book, a coherent work in which we could glimpse the mind of God. Like scripture, the book of nature bore the divine imprint—the Imago Dei—and the two books were seen as complementary. In the centuries…
Read MoreReductionist Confessions
By Essay Issue 85
Reading from Two Books: Nature, Scripture, and Evolution In the Middle Ages, philosophers and theologians described nature as a book, a coherent work in which we could glimpse the mind of God. Like scripture, the book of nature bore the divine imprint—the Imago Dei—and the two books were seen as complementary. In the centuries…
Read MoreSons of Noah
By Essay Issue 85
Reading from Two Books: Nature, Scripture, and Evolution In the Middle Ages, philosophers and theologians described nature as a book, a coherent work in which we could glimpse the mind of God. Like scripture, the book of nature bore the divine imprint—the Imago Dei—and the two books were seen as complementary. In the centuries…
Read MoreNotes toward Knowing
By Essay Issue 85
Reading from Two Books: Nature, Scripture, and Evolution In the Middle Ages, philosophers and theologians described nature as a book, a coherent work in which we could glimpse the mind of God. Like scripture, the book of nature bore the divine imprint—the Imago Dei—and the two books were seen as complementary. In the centuries…
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