Audacious Borrowing: Contemporary Art Revisits the Renaissance
By Visual Art Issue 117
What is it about the familiar visual vocabulary of Renaissance—the haloes, the gold leaf, the careful arrangements of figures, that makes it so ripe for borrowing?
Read MoreSomething Other than Devotion: Bored with the Renaissance, Surprised by the Contemporary
By Editorial Issue 115
Unlike a pilgrimage to the Uffizi, Paolini’s installations ask for something other than devotion; his work occasioned in me a kind of wondering that was something other than awe. It invites conversation rather than adulation. The artist is relinquishing control rather than demanding attention.
Read MoreFollies Worldly and Divine
By Essay Issue 44
IN THE summer of 1509, as he lay sick in bed, Desiderius Erasmus decided to pass the time by producing a literary gift for his friend and fellow Christian humanist, Thomas More. Within a week, he completed the Encomium Moriae, which can be read as either the “praise of More” or the “praise of folly”…
Read MoreVanishing into the Work: The Franciscan Labors of James Munce
By Essay Issue 54
I think that I am primarily a storyteller. My function as a visual artist is to create a two-dimensional formal structure that will best contain the story being told. I am always trying to create a sense of space that has somehow been altered or transformed by an event. —James Munce THE LACONIC, SPARTAN PROSE above…
Read MoreLooking for a Renaissance
By Essay Issue 54
MOST EDUCATED PEOPLE, in addition to a set of favorite authors, artists, and composers, develop a fascination for one or more historic cultures: republican Rome, say, or colonial New England or the Ming dynasty. Sometimes these passions are matters of aesthetic or intellectual taste, but often they bear a relationship to the individual’s ideas about what constitutes the…
Read MoreGiotto’s Ratio
By Essay Issue 59
The following remarks were given at Villa Agape in Florence, Italy, on the opening evening of Image’s Florence Seminar, September 14, 2008. IMAGE is a journal devoted exclusively to contemporary literature and art—to the present moment—but here we are in the cradle of the Renaissance. We have not come out of mere antiquarian curiosity,…
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