Screening Mystery
By Essay Issue 20
FOR nearly a generation in Hollywood, a gulf has existed between the secular and religious perspectives. It is a rift that appeared in the sixties for many reasons, not least as an expression of a cultural rebellion which was arguably both liberating and destructive. But one result was the lamentable loss on screen of an…
Read MoreShouts and Whispers
By Essay Issue 39
HAVING been a participant in any number of roundtables and panels on the state of religion in America, and in particular the relationship between faith and culture, I’ve grown accustomed to hearing my conservative colleagues argue that contemporary writers of faith are flabby compared to the more muscular writers of the early and mid-twentieth century.…
Read MoreThe Culture Wars Revisited
By Essay Issue 43
TEN years ago in these pages I attempted to explain “Why I am a Conscientious Objector in the Culture Wars.” At that time, the dust had only recently settled on the public controversies over National Endowment for the Arts funding of works by Robert Mapplethorpe and Andres Serrano. In addition to the debate over public…
Read MoreThe Discipline of the Notebook
By Essay Issue 76
A MURDERER was living around the corner—on Smith Street. I saw them filming America’s Most Wanted in front of his building,” said the old woman in the Key Food on Atlantic Avenue yesterday, talking to the manager in his booth. “You don’t know who is a killer today and who isn’t. Have a nice day.” And…
Read MoreThe Rule of Life
By Essay Issue 82
Dorothy Day’s Rule of Life: See the face of Christ in the poor. And: journal every day. 1. THE FIRST TIME I saw the buildings, they buzzed. In my evangelical fever I didn’t know if it was electricity, demons, or just the sounds of thousands of souls put in close proximity together. This is where…
Read MoreWeb Exclusive: A Conversation with Wayne Roosa
By Interview Issue 83
In issue 83, Wayne Roosa writes about a surprising conversation with his art history students about the parallels between Old Testament prophets and contemporary performance artists—a conversation that led to a new way of looking at performance work. We asked him about this art genre, one that many viewers find hard to connect with. Image:…
Read MoreWeb Exclusive: A Conversation with Lauren F. Winner
By Interview Issue 84
Each chapter of Lauren F. Winner’s new book, Wearing God: Clothing, Laughter, Fire, and Other Overlooked Ways of Meeting God (HarperOne), explores a single biblical image of God through a mix of exegesis, cultural history, and personal essay. The chapter excerpted in issue 84 is about bread. Image’s Mary Kenagy Mitchell recently asked Winner about her…
Read MoreThe Grackles
By Poetry Issue 82
Down the block, our new neighbors, not unlike the old, could be named the Grackles, given the way everything they have is loud: cars, children, stereos, parties. It all spills out into the street—broken bikes, pizza boxes, a nasty looking dog with nothing to restrain it but the owner’s curse. Giving the mutt wide berth,…
Read MoreYou Who Seek Grace from a Distracted God
By Poetry Issue 82
You, who seek grace from a distracted God, you, who parse the rhetoric of empire, who know in your guts what it is but don’t know what to call it, you, good son of a race of shadows— your great fortune is to have a job, never ate government cheese, federal peanut butter— you, jerked…
Read MoreOur Royalty
By Poetry Issue 82
The greatest evil is when you forget that you are the son of a king. —Martin Buber, Tales of Hasidism Yet, aren’t I the son of Joe Terman, used car salesman? And wasn’t he the son of Abraham Terman, carpenter, until injured by a salami truck, or was it a cable car, on Cedar…
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