Issue 83

“I have come to love you in spite of—” ―Darin Strauss, Chang and Eng   straddling the windowsill                   watching morning glimmer from the terminal spectral gray         becoming blonde as coffee cools     here near where                   chirrups erupt       whoosh of man hosing down cleft sidewalks               raising wraiths of spray against loops of barbed wire…

In issue 83, Wayne Roosa writes about a surprising conversation with his art history students about the parallels between Old Testament prophets and contemporary performance artists—a conversation that led to a new way of looking at performance work. We asked him about this art genre, one that many viewers find hard to connect with.    Image:…

Wolf in White Van by John Darnielle (Farrar, Straus and Giroux, 2014) Your Fathers, Where Are They? And the Prophets, Do They Live Forever?         by Dave Eggers (Knopf, 2014) High as the Horses’ Bridles by Scott Cheshire (Henry Holt and Co, 2014)   THE WORLD HAS TURNED SMALL in our hands.…

DON’T FORGET YOUR TRANSFER,” my grandmother said. From 1989, she said this to me for ten years. It took two buses to get from the West Side, where I studied and lived, to the East Side, where she had lived her entire life, first on its lower end and now, in her eighties, its upper…

IT WAS AN ORDINARY autumn night in suburban Chicago when I received the most disturbing book I have ever read. I was seventeen, slouching in my bedroom making a half-hearted attempt at homework, my sweaty cross-country clothes festering on the floor. My father appeared at the doorway and handed me a yellowed paperback that looked…

IN COLD WAR-ERA AMERICA, one of the more remarkable cultural developments was the efflorescence of visual arts programs in colleges and universities. This unprecedented expansion from 1945 to 1990 was launched even as most Americans remained indifferent, skeptical, or hostile to the rise of modern art. The upsurge in academic art programs attracted artistically inclined…

I RECALL A SUNDAY MORNING when the church lectionary readings included a passage from the prophet Isaiah. The lay reader that morning was a thoughtful, older man dressed in a tasteful gray suit. Standing at the lectern, he opened the Bible and read: At that time Yahweh had spoken through Isaiah son of Amoz. He…

Roberta Green Ahmanson is a writer and philanthropist whose public activities are focused on deepening awareness and understanding of the role of religion in public life, the importance of knowing history to understand the present, and the vital role the arts play in shaping human experience. Since 1986, she has worked with her husband, Howard,…

In Pierre Bonnard’s The Open Window the artist looks outward from his modest living room. It is summer, the heat baking the orange on the grill-like wall. To the right, a woman is resting in a chair, escaping as she can the sizzling midday air in which even her quizzical black cat blurs in the…

Down the dark way, the dark way down. Everything dark now, as he has come to see: that the way was always dark, the journey dark, the mind dark, the answers like the questions dark, each day dark, the glaucous pearl white eyes, even when the sun spread across the greengold grass, glistening the bright…