The Reading Wars
By Essay Issue 67
IT’S 103 DEGREES in Lincoln, Nebraska, and my mother is sitting at the kitchen table, twisting the elastic steel band of my father’s big watch around her wrist. She is paging through a book as massive as the New York telephone directory. It contains all of Shakespeare’s plays. The letters are the size of midges,…
Read MoreOn Brotherhood and Crucifixion
By Essay Issue 67
Black Cross, New Mexico, 1929 (Georgia O’Keeffe) Twin of the one in my mind, this cross is uneven—blooms like the trunk of a heavy woman, its underside bright as sunset, and under it, O’Keeffe’s hills—like looking at two miles of gray elephants, she said once—a sort of bed where no cross lies down. The…
Read MoreThe Exiles: Finding the Story
By Essay Issue 67
A HALF CENTURY AGO I was standing in a skid row bar wondering what role I was playing. The bar was called, almost mockingly, the Ritz, and we were making a film, but the role I pondered wasn’t an acting part, and it was more than a question of what function I had at the moment.…
Read MoreA Conversation with Patricia Hampl
By Interview Issue 67
Born in Saint Paul, Minnesota, Patricia Hampl first won recognition for A Romantic Education (Houghton Mifflin), a memoir about her Czech heritage which received a Houghton Mifflin Literary Fellowship, and then for Virgin Time (Farrar, Straus and Giroux), a book about her Catholic upbringing and an inquiry into contemplative life. Called “the queen of memoir” by the…
Read MoreThe New Jerusalem
By Poetry Issue 66
Nehemiah is pacing the streets at first light examining the builders’ progress and picturing the work that lies ahead. He then gets out of bed, puts on his clothes, and leaves the house to pace the streets, gravely nodding in greeting at the first workmen as they begin to appear; he pauses, suppressing a smile,…
Read MoreThe Yes
By Poetry Issue 66
Each day, for years, it gets up at first light, lets the dove out and stands in the doorway looking at the soft blue Arkansas sky without waking. But never you mind, it will be packing its small suitcase soon, it will leave the keys dangling from the lock and set out at last. Across…
Read MoreGoodbye
By Poetry Issue 66
Each day I woke as it started to get dark, and the pain came. Month after month of this—who knows when I got well. With dawn, now, waking from the rampage of sleep, I am walking in the Lincoln woods. A single bird is loudly singing. And I walk here as I always have, as…
Read MorePilgrim
By Short Story Issue 66
ON MONDAY AFTERNOON, Ray Martin ran into a crowd at an early season indoor track meet, hundreds of kids in a dozen colorful uniforms lounging all over, if they weren’t high-stepping in some warm-up ritual dance or actually lining up for a sprint. Everywhere you looked there were perfectly formed bodies, as if there’d been…
Read MoreWho’s Afraid of Geoffrey Hill
By Essay Issue 66
Already, like a disciplined scholar, I piece fragments together, past conjecture, Establishing true sequences of pain; For so it is proper to find value In a bleak skill, as in the thing restored: The long-lost words of choice and valediction. ————————————-— Geoffrey Hill, “The Songbook of Sebastian Arrurruz, I” Oxford University has a new Professor…
Read MoreWeb Exclusive: A Conversation with Scott Cairns
By Interview Issue 68
The current issue of Image features three new poems by Scott Cairns. The author of numerous volumes of poetry, a convert to Orthodox Christianity, and a longtime contributor to Image, Scott has often advocated what he calls a “sacramental poetics”—the idea that a poem should not so much describe something as dosomething. Image: Your poems use an exacting, prophetic voice, but…
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