Religious but Not Spiritual
By Essay Issue 68
FOR A NUMBER OF YEARS I’ve been saving up the fiction of Anthony Trollope as a sort of mid-life treat. At least I hoped it would be a treat. Trollope is the kind of author who is often ridiculed as a literary lightweight: a Victorian lacking the range and energy of Dickens; a drawing-room chronicler…
Read MoreWriting with So Great a Cloud of Witnesses
By Essay Issue 69
LAST MONTH MY BEST FRIEND, Jeff Deal, and I made a road trip from Charleston, South Carolina, to Fort Campbell, Kentucky, to visit my older son Zebulun, a cavalry scout with the 101st Airborne. Jeff’s son Russell is in the army as well, our two boys having made a pact while they were undergrads…
Read MoreParadox of Flesh: The Art of Chris Ofili
By Essay Issue 69
THE WORK OF British-born artist Chris Ofili, Turner Prize–winner in 1996 and 2003 British representative at the Venice Biennale, poses a particular challenge. Almost every review of his major 2010 retrospective at London’s Tate Britain alluded to the “spirituality” of the work of this former altar boy; the artist himself often gives religious titles to…
Read MoreMarc Quinn: The Matter of Life and Death
By Essay Issue 69
IN 2009, BRITAIN’S NATIONAL Portrait Gallery acquired Self by Marc Quinn. The museum’s press release described the work as “unconventional, innovative, and challenging.” That is an understatement. Self is made of eight pints of Quinn’s own blood, approximately the amount in an adult male body. It was extracted over a period of a year, then…
Read MoreA Conversation with Marilyn Nelson
By Interview Issue 69
The daughter of a Tuskegee Airman and a teacher, Marilyn Nelson was brought up primarily on military bases and started writing while still in elementary school. She earned her BA from the University of California, Davis, and holds postgraduate degrees from the University of Pennsylvania (MA, 1970) and the University of Minnesota (PhD, 1979). Her…
Read MoreFishguard Harbour
By Poetry Issue 69
There is a moment prayer occurs to the conscious mind, or rather the absence of prayer in the moment of need hitherto. Experience names the vacuum it has been seized by, only the mouth— the physical fact of the mouth, sensuous, capable of beauty or deceit— can’t form the words the ventral thalamus is telegraphing.…
Read MoreThe Language of Flannelgraph
By Poetry Issue 69
1. A sheep and a goat is Jacob and Esau. A sheep and a goat and angel with trumpet is the end of things. Put the goat on the left, sheep on the right. A pair of animals means flood or garden—depends if you want to destroy it all or save it. Or name it.…
Read MoreFist
By Poetry Issue 69
The leaves on the lawn are brown. Beneath them, the wet ground. Beneath them, the silver roots. Beneath them, the darkness. Given the chance to change, you hold on, the fist a clenched bulb. Last year’s tulips come up again, smaller, shorter, failing— the stunted stem a symptom. The rain tastes like copper, an old…
Read MoreThe Age of Loss
By Poetry Issue 69
You have come to a time when everything is loss— your parents dead, your friends dying or gone south. You have come to a time when you have money and nothing you care to do with it, though you take cruises, spoil the grandkids, redecorate the house, which, schooled in irony, echoes as if abandoned.…
Read MoreMidrash
By Poetry Issue 69
And the heart of man is a green leaf: God twists its stem and it withers. ______________________________—Nikos Kazantzakis At first the hunger in his belly did not burn, nor did it lie at the bottom with the heaviness of stone. It was like iron hammered flat, like the dull edge of a knife pushed against…
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