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Issue 69

A conversation with Marilyn Nelson; Gaye William Ortiz on women and Islam in cinema; Kim Peavey on theological school; and Bret Lott on the creative writing workshop. With poetry by Thomas Lynch, Jennifer Atkinson, and Fleda Brown; a gorgeous personal essay by Laura Bramon Good; artwork by Marc Quinn and Chris Ofili; and more.

Web Exclusive: A Conversation with Charles Pickstone


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textured painting in dark red with a white gash down the center and a white paint slash at the top.

Erotic Theology


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Into Deep Waters


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A Cinema of Solidarity: Women, Film, and Islam


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On Becoming Divine


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Image of an empty classroom in the mid afternoon. The room is in blue shadows with sunlight coming through the windows. The many chairs and desks are empty.

Writing with So Great a Cloud of Witnesses


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Paradox of Flesh: The Art of Chris Ofili


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Marc Quinn: The Matter of Life and Death


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A Conversation with Marilyn Nelson


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Fishguard Harbour  


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The Language of Flannelgraph


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Fist


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The Age of Loss


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Midrash


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For the Virgin of Sorrows


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Woman Holding a Balance


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Notre Dame


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The Bar Mitzvah


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Canticle of the Sleeping Child


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Canticle of the Penitent Magdalene


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Canticle of the Cherry Tree


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Recompense His Paraclete


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Argyle among the Moveen Lads


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landscape of stony crags and green grass, an area of yellow from the sun.

He Weeps among the Clare Antiquities


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His Purgations  


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Hands plucking what looks like basil and putting it into a round white bowl on top of a wooden countertop.

Safari Supper


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two apples sitting on the dark earth. the one on the left is dark red, like blood, and the one on the right is green and red and streaked with color.

Zero Gains


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The Poetry of Exile


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