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Issue 69

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A conversation with Marilyn Nelson; Gaye William Ortiz on women and Islam in cinema; Kim Peavey on theological school; and Bret Lott on the creative writing workshop. With poetry by Thomas Lynch, Jennifer Atkinson, and Fleda Brown; a gorgeous personal essay by Laura Bramon Good; artwork by Marc Quinn and Chris Ofili; and more.

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Description

Editorial Statement

Gregory Wolfe, The Poetry of Exile

Fiction

Bonnie Nadzam, Zero Gains
Tom Noyes, Safari Supper

Poetry

Thomas Lynch, Four Poems
Jennifer Atkinson, Three Poems
Fleda Brown, Two Poems
Michael White, Woman Holding a Balance
David Brendan Hopes, For the Virgin of Sorrows
Todd Davis, Midrash
Richard Spilman, The Age of Loss
Ed Madden, Two Poems
G.C. Waldrep, Fishguard Harbour

Interview

A Conversation with Marilyn Nelson

Visual Arts

James Romaine, Marc Quinn: The Matter of Life and Death
Charles Pickstone, Paradox of Flesh: The Art of Chris Ofili

Essays

Bret Lott, Writing with So Great a Cloud of Witnesses
Kim Peavey, On Becoming Divine: Within Theological School, and Without

Film

Gaye Williams Ortiz, A Cinema of Solidarity: Women, Film, and Islam

Confessions

Laura Braman Good, Into Deep Waters

Book Review

James K.A. Smith on William Dyrness’s Poetic Theology

Additional information

Weight .75 lbs
Dimensions 10 × 7 × .5 in

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