Issue 69
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A conversation with Marilyn Nelson; Gaye William Ortiz on women and Islam in cinema; Kim Peavey on theological school; and Bret Lott on the creative writing workshop. With poetry by Thomas Lynch, Jennifer Atkinson, and Fleda Brown; a gorgeous personal essay by Laura Bramon Good; artwork by Marc Quinn and Chris Ofili; and more.
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Description
Editorial Statement
Gregory Wolfe, The Poetry of Exile
Fiction
Bonnie Nadzam, Zero Gains
Tom Noyes, Safari Supper
Poetry
Thomas Lynch, Four Poems
Jennifer Atkinson, Three Poems
Fleda Brown, Two Poems
Michael White, Woman Holding a Balance
David Brendan Hopes, For the Virgin of Sorrows
Todd Davis, Midrash
Richard Spilman, The Age of Loss
Ed Madden, Two Poems
G.C. Waldrep, Fishguard Harbour
Interview
A Conversation with Marilyn Nelson
Visual Arts
James Romaine, Marc Quinn: The Matter of Life and Death
Charles Pickstone, Paradox of Flesh: The Art of Chris Ofili
Essays
Bret Lott, Writing with So Great a Cloud of Witnesses
Kim Peavey, On Becoming Divine: Within Theological School, and Without
Film
Gaye Williams Ortiz, A Cinema of Solidarity: Women, Film, and Islam
Confessions
Laura Braman Good, Into Deep Waters
Book Review
James K.A. Smith on William Dyrness’s Poetic Theology
Additional information
Weight | .75 lbs |
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Dimensions | 10 × 7 × .5 in |